Then it is night to set off into the position. Mao Zi's aesthetics are fully revealed at this moment, the sunset on the horizon sets off the inevitable fruitless love of young soldiers, and the cold moonlight reflects the mood of ordinary soldiers. Even the episode where the cigarette was not lit during the march showed the optimism of the young people.
Of course, the main part of the film is the battle scene. From simply digging trenches to arranging artillery positions, from signalling lines to making fake positions, every detail of this film is the same as last year's niche movie "1944" in Estonia, and it can be seen that it is a film made with heart. And a film made with heart, a film that reflects the heart of the screenwriter and director, even if it may have this or that kind of flaws, it is enough for ordinary audiences. Anyway, for me, an ordinary person who doesn't know much about the art of film, when I saw Mao Zi was running out of ammunition, holding an ax and bayonet and ready to go all out, I was worried. When M1910 suddenly swept the German soldiers, I was so excited that I almost jumped up! This is Maozi, do not counsel any enemy's Maozi! There is only one response to any aggressor Maozi: Do it!
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