Horror is about creativity, Reivew on The Blair Witch Project

Maybe because I've seen "Death Live" and other similar pseudo-record themes before, I don't feel new to watch this again, and it's not as exciting as "Death Live" at all. Originally, the biggest suspense was witches, but at the end there was not even a shadow. Isn't this a hooligan? Maybe in that year (1999), it was an amazing work, and it had the lowest cost gimmick (but I don't think it was possible to spend that much money, the director was thinking about using this to hype it from the beginning?), it achieved an amazing box office. There are many films that imitate this style later, and some of them have a big brain hole, but they have not surpassed its box office results. It can be seen that the time and place are favorable, not to say how good the film is. However, horror films still have a market in North America, and works that sell hundreds of millions at the box office appear from time to time. In fact, there is also a market for horror movies in the mainland. Apart from some just-in-demand, high-quality horror movies can also bring topics and attendance. Although "Far Cry" has a lot of fans, it also shows that if the story is more powerful, there are Celebrities are in town, and they are explosive in minutes. "Jingcheng No. 81" is a topic + star, and a decent production and story, which has achieved a peak that has not been surpassed so far. Under the restriction that there can be no ghosts, and there are no first-line stars in the lineup, domestic horror films will not be able to break this record within 5 years. Unless Wen Ziren comes to shoot a theme related to China.

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