One of the moving parts of "Love" is the performance of the actors. Their performances are so precise and delicate that they can capture the subtle to almost non-existent emotions lurking in the human subconscious. Everyone seems to be calm, without heartbreaking, without shouting, but the screen is the best amplifier, and emotions are like a huge wave, and they are natural. Husbands and wives are very well matched. The husband is hard on the outside and soft on the inside, and the wife is soft on the outside and tough on the inside, all of which give a rich explanation of the dimensions of human character. Richard, played by Joel Edgerton, is a rough guy who is usually taciturn and does rough work. But every now and then, there were cracks in his rough shell, like a hot river flowing slowly through a dark forest. The characters are stubborn and cowardly, cold and soft like poetry, and they are heavy and fresh. At the beginning of the movie, his eyes were wet and he said "very good". When he was drunk and sat at the end of the bed, he said to his wife, "I will take good care of you." The man accidentally burst into tears and apologized like a child. Ruth Negga's Mildred is shy at times, introverted, with eyes like deer and dove, but when she fights for herself, she stands up, still smiling, but more determined than her husband. Strangely, the scene of two people sitting on the sofa watching TV at night is amazing and moving. The poor couple is addicted to the poor life, and the husband is lying on his wife's lap, feeling dependent on each other. Her husband is usually expressionless, alert and gloomy, but while watching soap operas, he is giggling, like a child again. One of the brilliant points of the film is that it does not clearly point out informers and opponents. The cage and imprisonment of society are transparent gray air, which can be found everywhere and everywhere, such as smog, which kills people with every breath. free soul. Another brilliant point is that lawyers are not portrayed as upright teachers of justice. They have their own ambitions and want to conform to the torrent of the times, send themselves to the peak of history, and leave an indelible mark for a moment. That's good, it's not the justice or compassion of one or two lawyers that liberates people, but luck. It is not the inhumanity of one or two people that kills the soul, but also the hands of history. In this way, although we started with a couple, we have seen a small amount of knowledge and overlooked the vicissitudes of the entire era. The ending is not intended to use a grand narrative to set off the advent of historical nodes, but deliberately brings the moment of victory to life. The couple smiled and looked at each other under the sunset lawn, which was very charming and made history return to the ordinary.
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