I have always been a person who pays more attention to spiritual enjoyment, especially when some people are troubled and irritated. If there is a good book and a good song, it is definitely a good escape from the world. However, reading and music are often divided and incomplete beauty after all. At this time, I am very fortunate that there is finally something in this world that can cover all the most perfect audio-visual aesthetics to play with, and that is film. . I personally admire modern filmmakers very much, they are the best painters, poets and composers in the world. And this evening, this beautiful and thought-provoking film, it was really hateful that it failed to catch up with the opening.
Just like the cold rainy day outside the window, the scene in the movie has the same entangled cold rain, the rain is cold and densely intertwined with the slanting wind, the first thing that catches my eye is a young woman dressed in medieval clothes. I don’t know why. The woman running in the cold rain came to an abandoned church, the outline of the spire of the church was as cold as the tip of the sword in the duel of lovers in the Middle Ages, the sky became blurred and quiet, the dilapidated walls were covered Although the rain has cooled down and is not desolate, it is obvious that the director did not deliberately focus on the desolation of the cold rain, but used the densely interwoven rain threads and the faintly looming piano music to lead the way. Such an emotional tangle and sad poetry, the forests and fields washed by the rain in the distance are as green as a dream, and the calm and beautiful lakes are as beautiful and tranquil as emeralds. How the male protagonist invaded this scene, I can't trace it because I didn't keep up with the previous plot, but I can see the male protagonist's face, and the good-looking pupils that are eager to express a certain emotion are surprisingly sparkling like crystals The luster, of course, it may be rain, maybe tears. A teardrop of sadness strangled by pride and prejudice.
In fact, throughout the whole play, I have been following up with great interest. But it was not until the foggy and cold morning when the hero proposed to the heroine for the second time at the end of the play that he suddenly realized that the movie in front of him was actually a new remake of "Pride and Prejudice". In fact, I have seen almost all the films of this famous novel. Generally speaking, it is difficult to decide who wins. I always feel that a classic love story, in fact, no matter who interprets it again, there will always be a different interpretation. The brand-new taste of this world is like the love in the world. In fact, no matter who is interpreting the love in the world, it will eventually show its different innocence and beauty.
On closer inspection, this new version of "Pride and Prejudice" seems to have indeed moved a lot of adaptations in the plot of the original work, but as far as I am concerned, I am actually very happy with such an adaption that keeps pace with the times, or maybe, In particular, the film in the 1990s has always been quite impressive. The hero undoubtedly interprets the arrogance in the story quite vividly, but the filming that respects the spirit of the original may not necessarily please the audience, especially today. A new society that does not strictly adhere to the traditional ethics of honor and inferiority. So, from this point of view, I am very fond of the new version of "Pride and Prejudice" in 2005, especially the refreshing new version of Matthew's version of Darcy.
It is said that Captain Butler in "Gone with the Wind" and Darcy in "Pride and Prejudice" are the most lasting dream lovers in every woman's heart. And Matthew's version of Darcy seems to meet all the standards of modern women's constant dream lover. From the rich, noble, arrogant and handsome appearance in the first appearance, to the final melancholy, affectionate and persistent, Matthew has undoubtedly brought us a new Darcy specimen sublimated from the original. In this play, it is not so much Darcy's pride in his own identity as the lonely and withdrawn silent character cultivated by factors such as the growing environment. Darcy in the movie is still not good at words, but he can't hide the character of being cold on the outside and hot on the inside. Although he treats people indifferently and withdrawn, he is deeply affectionate and dedicated to his lover, and he is even more sincere to his friends, and he is very sympathetic to hatred and hatred. The reason why he thought it was impossible to have better intimate communication with the lower class who were not wealthy at first was obviously not caused by his own status and pride in his high status. In fact, when he first met, Mrs. Bennet's vulgarity and frivolity apparently gave Darcy an objective judgment that he could not but despise. But from the beginning to the end, Darcy still maintained an implicit and reserved distance and respect for such a family. This adaptation, I personally think, seems to be more symbolic of the current cultural and era background.
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