This is not a serious trouble in itself, but it will make people shy about going to the cinema to enjoy the kind of movies that are too in-depth - the part of the emotions that you don't even notice when you go to the theater, but you have suddenly refused to be perceived by strangers. I have always liked to watch popcorn blockbusters. To put it bluntly, I just go to the big screen to happily consume a small sexual obscenity that is not extravagant, but let me pay some unnecessary self-immersion while watching a movie. I would prefer that It only happens when it's just me.
Therefore, the cinema is a very contradictory existence. In order to more efficiently allow everyone to enjoy better audio-visual enjoyment together, everyone must give up part of their self-space, and sit next to strangers who may only meet once in this life. Pretend not to notice the other person's face - of course, a good movie does make people forget their existence.
Superior audio-visual enjoyment makes it easier for viewers to immerse themselves in the world outlined by the movie, and the cinema makes it so easy for people to pull back from that world to reality.
This contradictory and repeated torture that only exists in Junmingjiang Cinema is greatly enhanced.
I have a little bit of rebellion, but I don't know if I have a good reputation or good sales, but I don't honestly dig deep into the commercial value. The audience always draws a special taste from the works, whether it is a movie or a TV series or a book. I want to be a prisoner of it. Although this is a bit unreasonable, please allow me to defend myself. Even if the truly excellent works are faced with innately harsh standards, they will convince the criticizing audience. For example, I hated Shi Xiangyun back then, but I still had to read the book Said she was really cute.
With 120,000 points of disdain, I watched a certain group of my group and a certain group of group friends jumped into the cliffs of Xin Haicheng one by one like silly sheep, holding 120,000 points of confidence and determined that even if I were with your group Without any common language, I Miqia also don't want to look at your name. The biggest source of this awkwardness is Makoto Shinkai.
I haven't watched the few animated films he used to be famous for. I always feel that the name is hypocritical and disgusting. I like refreshing and crisp stories. If you want a tragedy, I will destroy it for you. I don't like the kind of rain that stretches the sickbed. In the end, I had to be separated by the dust of reality and sighed. Living in a single city is already very difficult. Why do you have to find yourself unhappy? Moreover, the pictures that are often praised beyond reality are not very tempting to me.
I can't remember why I went to see Jun Ming in the end.
My fox told me the whole plot synopsis a long time ago. The core trick of this story was clear to me long before I started watching it. I even doubted that there was anything interesting about this story after I had broken through the core. I have to surrender in this world, and there are works that can move people's hearts without telling stories at all.
Taki's voice, which gradually intensified and became more anxious, really struck me as he loudly questioned the non-existent name in the air under the pale moon like a performance.
I'm not sure if this story would have been better if the rhythm was adjusted a little bit, but I know that the moment Taki and Mitsuha finally reunited, my heart was filled with unbearable joy. I was caught by the emotions of this work, so regardless of whether there is logic in the middle, I just feel that it is not wrong to choose to follow my emotions.
At the end of the day, the works that I have not been impressed by need to list the reasons for their benefits. Since I am impressed, of course it is good.
I tried hard to recall afterwards, maybe it was Shinkai Makoto himself who was not good at showing the gradual warming of the two people’s emotions through the details of their daily interactions. He simply abandoned his shortcomings and blatantly used the MV to forcefully implant the audience with a confident conclusion: They are right They have feelings for each other, are you convinced? And because the rhythm of this part is extremely fast, even if I vaguely feel that this is not the case, it will be taken away by the sudden relief that I showed when I was dating my senior. The paradoxical words of senpai may seem very sudden and unreasonable, but Like a trick used by hypnotists, when you hear this passage, you will plant a seed of belief in your heart.
If the audience believes in the bond between them one step ahead of the people on the show, is it such a rare thing to have feelings? So what is impossible to be the most important person to each other?
In this work, Makoto Shinkai has shown quite tyrannical propulsion. He does not need to set up a perfect emotional chain to sort out the relationship between the two. He chooses to let the audience fill in the gaps, while the Aries, who are drawn by the music and pictures they will obediently follow his instructions. This was originally a trick that Nishio Restoration liked to play in the branches of the text, but because the king's name is such a simple story, which is so simple that there is almost no plot once it is told, such tyranny appears to be arrogant.
This is not a love story. Although both of them regard each other as the most important, unforgettable and irreplaceable person in this life, they did not meet during the long time of exchanging bodies.
What they prayed for in the twilight of that magical moment was not only to save three years of time, but also not only to save the town where the memories were placed. The most fundamental thing was to have a real encounter.
During the time when the two people exchanged bodies, they both tacitly refused to touch the boundary, and they would never use the mobile phone number of the other party easily. Shanghe's foolish behavior of writing on his body, maybe he still thinks he knows his friends and his life better than that kid (girl), this kind of life is too happy for people, so happy that there is no room for people to go to Think about it, you are so familiar with everything about this person, but you have never, never, never met him.
Use your eyes, your hands, and your mouth to see each other, hold each other, and ask each other.
This is an encounter that cannot be replaced by touching a breast that does not belong to you 10,000 times. It is an opportunity that may be missed once in a lifetime and forever missed.
I don't know why Shinkai Makoto picks it up high and puts it down gently in the episode where Mitsuha went to Tokyo and came back, but I know that girls must have a heart for this episode, and there must be someone who will remember her in this life. Recognizing her expectations, leaving the town she had never left before, and heading to Tokyo, a place she never really belonged to despite being with her countless times, a girl with Mitsuha's character undoubtedly mustered up all her courage. She didn't even give herself a way out, and said bluntly to her sister without giving herself a reason: I went to Tokyo for a date, isn't it because of this innocent hope of betting everything?
But they lost each other for three years, and the other party just wondered in his heart, what a strange girl.
Assuming that Makoto Shinkai makes a fuss about this time difference that both sides know nothing about, presumably this work is another second 5. However, when the flow of time is complete, it is a redemption, and this lost and found feeling and sense of urgency will be replaced by the original. The exhaustion and exhaustion that was close to reality washed away, and it turned into a desperate struggle that even if no one would believe it.
Under such a mood, under such a setting, if you notice the moment when two people are separated by time and space for three years, even if all viewers take it for granted, they will be moved for granted.
It was obvious that they had never met each other when they knew everything about each other, but when they did meet, they didn't seem to be estranged or alienated when they spoke, as if they had talked like this many times before, and they had met like this many times before, naturally it was like this. Two people should just start out the same way.
To cross that world is another world, and if you want to return from that world, you have to pay a price equivalent to half your own body.
Jun Ming said that Mitsuha's drinking is her price, but the audience must know that Taki and Mitsuha are half bodies of each other. If they want to destroy the result of the fall of the doomed comet, they can only pay The memory that you regard as the most treasure, the self-consciousness in your heart is the most important, the memory that you absolutely do not want to forget, that person you cannot forget anyway.
There are always remarks that two people have waited for each other for eight years, but that can't be called waiting. Waiting is a state of at least knowing what kind of existence they want to wait for, but Taki and Mitsuha can't remember at all. What do you want to seek in your despair.
I'm wondering if this is another attempt by Makoto Shinkai to think about himself. Maybe he thought in the second 5 that although he was deeply in love, he could push the distance between each other because of all kinds of trivialities. The feelings that were too late to be confirmed were never tested by reality, but directly wiped away the traces of those deep memories, but can that emotion really survive on the body?
What happened will never be erased again, even if you can't remember it, as long as you see that person, you will know that he is the person you want to see.
Of course, I agree that Makoto Shinkai has set a number of conditions that are too special and too close to miracles, so that the audience's expectation for the reunion of the two is unbelievable. Very few, and I certainly think that true love is by no means so lightly assigned by fate, as if it is innocent and romantic, as long as you do it, you can achieve your wish. I even know that there are many faults in this work of Makoto Shinkai, but, but.
At the end, Mitsuha, who burst into tears, was so happy.
I've already said that I don't like to expose some of my personal emotions in public, and it's actually embarrassing for me to write this kind of stuff...I don't want to reveal some of the emotions I feel from it too obviously, But I don't want it to be buried in my heart. He talked about the theater in a random way. Everyone knows that I really like Jun Ming! But I won't blow it! Give up! ! ! This work is still a long way off! ! Don't think you're already a master! !
above! !
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