Later words, written before: This review is emotionally over-emotional and under-nutrition. At the same time, I also saw how extravagant it is to communicate. Everyone comes with prejudice and leaves with anger. No need, in my value system, your name will always be mediocre and meaningless. And this does not affect the fans of Makoto Shinkai continue to like and pursue it. Such exaggerated and shallow works will still be regarded as masterpieces that are difficult to appreciate. Frankly speaking, I also like to watch some vulgar movies or meat slices, but I would never consider them to be high quality and meaningful. I'm not going to dissect the narrative of "Ace Power", dig its metaphors, and try to tell people it's a masterpiece. Yes is there, no is not. However, compared with film critics who coerce public opinion and try to seek a little selfish profit, the brainless fans are also very cute.
Of course, I still have to thank a few friends for their replies, especially since I lost interest and patience in the discussion, so I replied hastily, but I believe you are all very interesting people.
I still prefer the evaluation of the high match "Big Fish and Begonia". In general, this should be the same movie as "Big Fish and Begonia", but it has to win in every aspect of production. It is no joke to say that it is a high-match "Big Fish and Begonia". For me, "Your Name" is hard to swallow. It's useless narrative (disorganized, logically confusing), elementary school-level on-camera language (almost no on-camera language), and lyricism that basically relies on roars (the first time I saw a movie lyricism) It's all about narration and soundtrack, fucking sight and sound, what about sight? What about characters?). Mistakenly thought that the footage was cut to pieces, and the random narrative was like Toshi Kon, illogical like Hayao Miyazaki? , It can be said that all the words and deeds in the film cannot stand scrutiny. Without any logical loop, this makes a person with normal logic cause great pain, no less than suddenly being in a weightless space. Many people analyze the intention and structure of the film after the fact, but everyone who understands it knows that the analysis after the event has stripped the entire narrative rhythm and audio-visual language environment, and it is only useful to tell you why a good movie is good, and it is difficult to force it. Explain what's so good about a bad movie. Through forced analysis and interpretation, "Fuchun Mountain Residence" can write a "Mulholland Drive"-style film review, but can it become a movie comparable to "Mulholland Drive"? Of course, the narrative structure, the language of the lens, and Zhihu have already been touted by professionals. Even if my heart is broken - although I am a layman, I am not afraid of not knowing the goods, but I am afraid of comparing goods - I have watched so many animated movies, you said "Your Name." "Well, it's just an insult to my sensibility. I still have a lot of respect for those film critics, so I can only speak very privately. But there's more to it than the narrative and the camera. This is a love movie, but the core of love is so weak that it makes people laugh, this kind of love is so pale that it needs to be shouted over and over again, I will not forget that person's name! very important person! I can arbitrarily say that people who are moved by this kind of love have a totally different view of love from mine. In terms of the internal logic of the story, Makoto Shinkai's choice is illogical: that is, ignore all logical things, use settings and myths to create a new world, and let the characters grow in this new world. But this kind of fantasy story requires a strong imagination, and this is simply vulnerable. You may be like me, walking into the cinema with the expectation that Makoto Shinkai will start telling a story, and waiting for such an "excellent narrative", you are not angry. Why is it so well received? why? This film is not even as good as the very similar "The World in Your Eyes", or even worse than the "Fu Er Love Letter" that was sprayed into shit. I know, it's going to break box office records, even take some The Spicy Chicken Award, of course, will be forgotten by the times, or become a joke in the eyes of many. Objectively speaking, this is a commercial film with a score of about 60 points, and the audience is extremely obvious. But these 60 points are almost all due to its gorgeous coat, and the core is fragile and empty. For me, it is tantamount to a superficial Internet celebrity face. I insist that the core will be the most important thing in the movie. "Roadside Picnic" is actually quite ugly. How many true loves have people attracted with their temperament and ideas? Alas, I still advise you to watch more movies and stay away from Makoto Shinkai.
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