I just wanted to say that this film was made for the Japanese society. Some people say that this movie is a love movie, and then it is still a middle-aged disease, and it is still crying at every turn. What kind of behavior is crying, it is the behavior of releasing stress. As we all know, Japanese society is a repressive society, so it is natural for the audience to buy it through the performance of movies that cannot be vented in real life. In a society where there is casual violence on the Internet, it is natural that some people will complain about this vent and think that it is suspected of sensationalism. Second, it's a disaster movie in my eyes. The love between Mitsuha and Taki is just an enlarged part of this disaster. Maybe it's because love is so good and innocent that people who watch the movie forget that this is a disaster movie in the end, and the end result of love is to save the people who died in the disaster. Comparing the big fish and begonia from this, I think the picture is equally divided, and from this point of view, the superior and the inferior are divided. I think the creator, what I really want to comfort is the people who have been frustrated in the earthquake and tsunami. The climax of the film lies in the part where Mitsuha saves the town. That passage is not about how they fell in love, but about how to save the inhabitants. In fact, there are still many points worth chewing over and over again. If there is such a film after the Wenchuan earthquake, Chinese people will probably cry. Among them, the comet is gorgeous, but it is also a disaster, and it is a faint reflection on society. Such a creator deserves admiration. And our inability to move, but the disaster is far away from us. Like the music, the sense of blank is well grasped. In the depressed social atmosphere, is it not the duty of the film to inject courage and vitality? (Instead of making money selling meat
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