The story is still based on the complex of the girl's heart and the second disease, as well as the structure of time and space travel and parallel worlds. Small town girl Mitsuha and Tokyo boy Taki exchange bodies in their dreams and exchange diaries to exchange information. Each other is like a duck to water in each other's world with female power and boyfriend power. The first half is light and joyful, and it is hard to believe that it came from the hands of Brother Cheng, who is sad in the spring and the autumn.
The story is halfway through, revealing the brilliance. On the eve of the coming of the comet, the time difference of three years and the fall of a small town, the guidance of the oracle, the simple divinity, the mysterious miracle, and the danger of the apocalypse, play the role of elevating and sublimating, transforming the wonders of the universe. Embroidered into a magnificent picture with the love of children.
Delicate, sensitive and delicate, in the loneliness that Xin Haicheng is best at creating, it is almost a label. Surrounded by prosperity, it is him who is alone and haggard. In the crowded place, he is the only one who is against the current. He holds a magnifying glass and focuses and magnifies the fleeting uncertain feelings. While gaining a deep resonance, it also gives people Inflicted 30,000 tons of internal injuries that fell into the abyss.
The famous philosopher and joker Ms. Faye Wong once said: Every soul is lonely, and no matter how close the relationship is, there is still a place where people can't communicate. People can't communicate completely in their hearts or essence. "Aoi Yu X 4 Lies" also has a golden sentence: Originally we were alone, so we wanted to be tied to others.
If a person always shouts about loneliness, it is mostly hypocritical. But if a person feels lonely all the time, maybe he is really lonely. Loneliness is self-sufficient, and loneliness is self-sufficient. Loneliness is a hint of reaching out and seeking, and loneliness is a code that forms a closed loop by itself. Loneliness can be boring, but loneliness is heart-filling.
As a person who is sensitive, slender, and highly sensitive to loneliness, loneliness and its derivatives can repair his small world into green and prosperous. Every brain hole can conjure up a strange, self-contained universe.
I'm more proud to say that everyone's loneliness is only suitable for reading silently. Only you know how to describe, how to experience, and how to go deeper.
When everything is put on the table, posing as a gesture of communicating with people, it is not complete. Digging into one's own small world too deeply and limitedly will sometimes be criticized as a new word for expressing worries. If there is no focus to support it, it will inevitably appear petty.
Fortunately, in "Your Name", emotions and craftsmanship are present, but they are not as ethereal as before. It can even be said that all the inexplicable sorrows and all the obscure pursuits in Xin Haicheng's film have found a common path and answer in this film. Brother Cheng finally flapped his wings and turned into a butterfly in the cocoon that had been bound by himself for many years. The film is based on the residual memory and subconscious summoning of the grand pattern, causing the hero and heroine to shed a tear in different time and space. The floating melancholy thus found a strong support point.
The teenager with stubborn deep-sea autism, after growing into an uncle, still upholds his mission-like loneliness and freedom, and embarks on a secret journey to explore the emotional universe. This trip, I found my own rose planet.
The dreamer who was crowded out by the surging crowd, even if they met on the subway, should be unaware, and after "the time of the devil" disappeared, the two ends of the feeling were born for a sense of sight. Mitsuha and Taki can only chisel the memory into the air, so hard and sad, until the secret in the palm of their hand is opened, and the whole heart is sunk in one fell swoop.
That long shot is really amazing: the red line on the wrist turns into the trajectory of a comet, turns into the umbilical cord that nurtures life, turns into the annual ring of the individual, twists, entangles, restores, connects, turns into time, turns into a "knot" , deciphering the echo of the earth and the firmament. Meng Lang, who was in the wild, let the rope slacken, and the ties of fate made it taut again. When they meet, they are inseparable and inextricably linked.
So it's no wonder why so many people cry in the movie theater. To say that "youth is immortal, pure love is immortal" still feels a little shallow. A certain kind of stubbornness of Makoto Shinkai can really poke a lot of people, those who believe that "there will be another person in a certain time and space that I am very happy with", believe that "the death of a loved one will turn into dark matter to protect and change the star. The person who believes in "the boundless wilderness of time", who believes that "there is no one step earlier nor one step later"... For the sake of my path, not alone, for the sake of sincerity and innocence.
Pure heart allows us to swim well in all things in the universe, and innocence allows us to rely on everything in the world. Let the world crush, scour and shape, and after seemingly useless things are turned into bunkers, at least they can help them gain the courage to be willing.
Coincidentally, a few days after watching this movie, I went to Japan, although I only wandered in Kansai, but the sense of substitution was too strong. The crowds came and went on the street, the subway whizzed past, and everyone kept their distance indifferently, politely, and politely. What was written in "Youth Cafe" echoed in my mind: the encounter on the street, the encounter in the subway station during rush hour. At that time people should probably chain each other with handcuffs. What relationship can resist the massive crowd that swept you away and made you lose control?
How messy life is, how rare it is to meet. The isolated islands of people are briefly bordered, vast and gentle, chaotic and doomed, turbulent and remembered, and finally, they are inspired by sorrow.
A comet will cause catastrophe, a village will be annihilated, prosperity will collapse in an instant, and memories will be lingering. The unforgettable memory of the past turns into a sense of loss for no reason. No matter how beautiful the ending of this film is like a fairy tale, the aftertaste is still in Japan. On the "one issue, one meeting" and "beauty of sadness" that people admire. In the aftertaste, the "one period, one meeting" and "beauty of sadness" that the Japanese admired are still lingering. To turn the profound helplessness into an aesthetic seal is to have a thorough devotion and respect for the present, so as to be calm and worthy of the sudden changes in the future.
Feeling sad and relieved. The intersection of people and people can be captured in reality, but it is only a one-sided moment. However, the relationship between people, when visualized in the coordinates of the universe and time and space, is not limited to life and death.
This film has to be played at least three times. The first time I was intuitive, I was completely moved. For the second time, I carefully stroked Brother Cheng's brain hole. For the third time, let's immerse ourselves in the starry sky and dreams on the big screen with the mood of grief.
View more about Your Name. reviews
