The protagonist of Rohmer is also constantly narrating, but after all, one is French and the other is American. The French style is more like a philosopher with some avatars, and the American style is like a comedian or comedians performing a comedy talk show, asking you to think a little after a laugh. Thinking is a purpose, but one is on the bright side and the other is secretly.
Enchanting dark night. Therefore, in Woody Allen's films, many of them are brisk and not so dull, but it is necessary to understand that it is necessary to see the essence through the phenomenon, and to use the brain well. Rohmer puts it all straight, you just have to follow their conversation, and Woody Allen isn't, it's very subtle.
Wrapped in a boring love story is the big theme behind, what is love, how to love, and how to face up to your heart. Woody Allen turns into a character and talks with the male protagonist, but there is often an illusion that he is just a character imagined by the male protagonist. Because, he is actually a dream in his heart - dare not change the status quo, dare not fight back when he sees unfairness, pretend to turn a blind eye when there is a problem in a relationship - when it comes to old Woody Allen, everything is not a problem, because He has the courage to look directly at himself and try to change it. Of course, this will be regarded as a neurotic, but when he does it, it is so refreshing, so it is close to a dream. Watching him play a playwright and a professor in a stand-up show with a stern face, often makes a little play, as if the director is messing in and imparting experience to young people. Of course the most interesting is the humor in the words, those words that make people want to laugh, and the humor is full of ridicule.
Woody Allen, give people what they want, people who like jokes, can watch jokes, like in the movies, telling jokes will make you rich, because people love jokes, they like things that make them laugh, and nothing else. I like romantic light comedies, this is also the beginning of the development of a climax ending, no difference, if it is different, it is that the protagonist is a bit non-mainstream, because of love, sexless, loveless and sexual, etc. Son, she's charismatic but always confusing, just like life, Eddie doesn't want to talk about how crazy they are in love, but magnifies their problems as the main part.
There is also the psychiatrist who always doesn't speak, the mother who doesn't like to be called Ms. So-and-so, the characters here are all a little weird, so they form scenes that are not seen in romantic light comedies. All of them are marked with the Woody Allen trademark, there is only one, there is no semicolon. This may be part of Woody Allen's surreal comedy.
Not only let you watch the play, but also let you go out; not only want to take a love scene seriously, but also want to make fun of it. It's really hard to call Woody Allen serious, the monkey is very upright, it's boring, and occasionally Lulu the monkey's red butt is what this old man really wants. Since there are endless things that make people dislike in this world, this is what the movie wants to express, and there are always new topics. As an intellectual in New York, behind his compassionate and innocent eyes, what the hell is this Jewish intellectual thinking is really amazing and unfathomable. Of course, they are all in the movie. Woody Allen has a habit of jotting down his thoughts on small notes. When sorting out these notes in the future, a new work will be brewed. The best comedy masters are full of joys and sorrows. Thinking of Master Hongyi's masterpiece "the intersection of sorrow and joy" makes people feel that it is these comedy masters who really penetrate the world. Humor may also be a high level of art. Come to think of it, this is also a matter for a veteran intellectual in New York.
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