Middle-aged men are not beautiful, unhealthy, dark in mind, and especially stubborn. They think they know everything, and they carry an air of oppression to others wherever they go. Therefore, seeing Li Lizhong's death did not make me feel sad, but rather happy. His suicide was a relief for himself and his family. He is a good man, but also an unpleasant man. The characters in the film are all lonely and selfish, but the selfishness of others is exposed, only Li Lizhong's selfishness is deeply hidden in the bones. He diligently earns money to support his family, has small achievements in his career, lives cautiously outside, and is a "ruler" at home. Such middle-aged people often have a very closed world outlook, regard responsibility and duty as the only virtues of human beings, extremely abide by the rules of the game in society, and force others to submit; Others were pulled over to join him in jail. They often feel that they have made great contributions because they are the main source of income of a family, and they lack respect and understanding of other family members. There is one scene in the film that left a deep impression on me. His wife, Zhou Yufang, could not write a novel and was very distressed, but Li Lizhong said to his wife, why not just write a novel? (Probably the meaning, I don't remember the original words), at this time, he can be described as disgusting. Yang Dechang's lines are so well written, many trivial, seemingly everyday gossips can arouse thousands of waves in people's hearts. Later, in order to find out the reason for his wife's departure, Li Lizhong read his wife's novel for the first time, which further confirmed his indifference to his wife in the past. he. In his concept, he has been very good to his wife in terms of responsibility and morality. It is too normal for people to not understand each other, and it is a once in a lifetime to be able to understand each other. It's just that he didn't understand until he died that this was the real reason why his wife left, which was really sad. I have great sympathy for Zhou Yufang, maybe because she is also a woman, I can understand it better. In the movie, she kept questioning Li Lizhong: "Do you understand? Do you understand?" The expression and tone were full of contempt and helplessness. Contempt is because Zhou Yufang has never taken a fancy to Li Lizhong in her heart, but she is helpless because she has completely given up the possibility of mutual understanding between the two. From Li Lizhong's point of view, Zhou Yufang's series of actions were tantamount to killing her. She had to live a good life, torturing herself and her husband as well. But from Zhou Yufang's point of view, whether she goes home to be a housewife, goes out to work, writes novels, or rekindles her old relationship with her ex-boyfriend, she is actually trying to escape the prison of life and find relative freedom. Whether or not she escaped successfully this time, at least she has been working hard, being frustrated repeatedly and not stopping, and she is a warrior anyway. If Zhou Yufang had a gun when she was most lost, she would probably realize Li Lizhong's dream before her death - to kill everyone. And Li Lizhong is not such a person. He is a good person. He went to a dead end, not out of reason but out of cowardice. He would only shoot himself. He first blamed his wife's departure on the girl who pretended to be a third party who was actually a prank, and then blamed it on his wife's ex-boyfriend, but it was also out of cowardice - he couldn't face the fact that his wife didn't really love him. Whether there was this phone call, or even whether the ex-boyfriend appeared, their marriage was in jeopardy. Zhou Yufang also expressed this in her monologue, but Li Lizhong just wanted to deceive himself and didn't understand. Of course, this also has to do with the problem that people cannot understand each other. Li Lizhong's love is ethical love, while Zhou Yufang needs spiritual love. Li Lizhong's contemptuous attitude towards his wife's novel career has deeply disappointed his wife, and meeting his ex-boyfriend who has carefully read his works is naturally like a relief. But will this ex-boyfriend and writing career be Zhou Yufang's next hell? Nobody knows. There are also two young people in the film, both with crystal clear hearts and light-lifting souls. One is a rich boy who loves photography but prefers to stay away from his family, and the other is a bad girl who has nothing to do and hangs out with gangsters. This reminds me of the pony and Honey in "Guling Street", one is because he has the capital, so he can die without worry, the other is because he has a long way to go, so he gave up and died, but they are both cute , Because he is young and naive, he can easily forgive when he does something wrong. Their future is unknown, so try to "choose not to choose". They seem to be very selfish, for love, in order to solve boredom, at any cost, but if it is for freedom, in fact, selfishness is nothing. They seem to be overjoyed and compassionate, sensitive and fragile, but in fact, their tolerance for life's sorrow is much stronger than that of middle-aged people, because they have not experienced too much loss and separation, but have an indifferent attitude towards them. Young people don't know how to cherish life. It's too easy for them to maintain life. That's fine. If you die in a young and beautiful age, you are truly a free person, not as aggrieved as Li Lizhong committed suicide in the bathroom. Or it becomes Zhou Yufang, the body that has begun to age is trapped in the cage of life, but the spirit always wants to escape, escape from loneliness, seek understanding, seek meaning, and seek freedom. Such a life must be painful, and it is likely that after a lifetime of pursuit, only a phantom can be glimpsed. However, such a person can also be regarded as a warrior, who annotates the meaning of life, and most of them are such people.
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