The back turn is surprising, Reivew on Edge of Winter

When I first watched it, I thought it was a reunion movie in which the son agreed with his father. When the father drove to the forest, the next image was a shared adventure, and then the relationship between father and son increased. It was not until later when the father cried, as if he was performing for the two children, that he realized that the father was acting to gain his son's sympathy.

When the other two came in, the father's reaction was too exaggerated.
Starting from the twist in my father's heart, the actor's heart changed too fast. At first, he might have been a little hysterical, but then he turned into a pervert and jumped too fast.
Some of the plots are too sudden. When the older brother is driving, the younger brother kicks the older brother on the back. This plot is too abrupt, and the younger brother feels like a mental retardation. The movie tries hard to show the father's deep affection for his two children, but the plot is too rigid.

The father in the back kidnapped his son because of family affection. Personally, I think this part is not bad, but the turn is still too sudden. The emotional foundation in the front has not been laid well, and he wants to control it directly later. The two children are probably as confused as me.
In general, the father's performance is a bit too much, the younger son's role is too much, and the older brother is too lacking in character.
Purely personal opinion. . .

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