In this play, Zen has become an important feature of the male protagonist's actions and even solving the case. At the beginning, the screenwriter treated Zen a little bit as the logic of the male protagonist's broken thoughts, which may make many viewers feel a little disgusted. But later, the screenwriter was able to integrate Zen and the plot well. The male protagonist decided the direction of his solving the case through Zen's thoughts, and found the clues to track the villain's big BOSS in the main line.
From the perspective of a single episode, the clues to solving the case in the whole drama are indeed a bit simple, but the male protagonist can find the real murderer in a very clever way. Although sometimes it seems a little deliberate, but most of it is very clever. In season 2, I originally thought that the male protagonist would have a relationship with the female protagonist, but there is no such thing. The screenwriter seems to have mixed the male protagonist with his ex-wife, and the female protagonist with the fat boss, in order to save the audience. This is also a Pity.
Overall, the screenwriter has his new ideas, plus the OST of a good atypical TV series, I really feel it. Sometimes, faced with justice and sin, life and death, hatred and forgiveness, you really need some Zen to calm your mind. In addition, Damian's portrayal of the character's wise and ignorant characteristics, as well as his extremely tense eyes, really brought a lot of surprises to the audience.
This type of crime-solving drama solves a case for each drama, so there is no pressure to follow the drama. Every 40 minutes, you can enjoy the process of solving a case, battling with suspects and thinking about the mental impact of solving clues. It's a good choice for viewing.
View more about Life reviews
