The heroine exerts too much force, the eyebrow drawing is super stealing, and the acting in the climax conflict scene is extremely insufficient. The male protagonist is good-looking and has a good personality, so I still cried in the climax part.
Of course there is no logic, it's just a story of lustful start of a new life by escorting a high-ranking paraplegic Gao Fushuai to get Gao Fushuai's true love and a lot of money. From the beginning to the end, the heroine is a Virgin who uses love to generate electricity. She is blindly optimistic and has no professional nursing knowledge. From beginning to end, she has never experienced the most embarrassing and unbearable side of the male lead as a disabled person (accompanied by another full-time doctor), but Self-proclaimed to be very good, not pretentious, completely different from the ex-girlfriend of the blond, rich, long-legged, coquettish bitch, uh, whatever. What
really makes me cry and think I can give two stars is that the male protagonist has not changed from beginning to end. He wants to be euthanized. idea. It's not that I personally support euthanasia, but the optimistic Madonna heroine portrayed in the movie makes all kinds of "salvation" attempts that are standard in Mary Sue novels. While accepting the kindness, the hero always clearly recognizes the two. gap in understanding between people. The movie makes it clear that for the disabled and other people who have suffered misfortune, don't always think that you can understand each other's feelings. Encountering pain, I look forward to ending the pain every day. I feel that living like this is no longer the me I used to be, and I even worry that this painful state of existence will obliterate the man who used to be me, and the parents who are looking forward to his survival. Between him and the heroine, there is a thick barrier from beginning to end. And this impossibility of mutual understanding between oneself and others is not a temporary state that can be broken or solved by a curve, but an essential relationship between people with an existential meaning.
From this point of view, the male protagonist chooses euthanasia, and the parents and the female protagonist obey and accompany him through the final journey, which is also a free choice.
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