The slow motion of being handsome in the front didn't feel necessary. Later, when I saw the church pigeon in slow motion, I almost squirted it. If Wu Yusen doesn't use his logo, he will be incapable of doing tricks? The slow motion of the subsequent action scenes is of course very good, increasing the rhythm and comprehensibility.
In fact, the climax is not the duel between the two, but the four-corner relationship of multiple guns confronting each other. It is normal for the female Afei to defend the fake bad person. It was the fake good person who led the police to kill her brother, and the person who saved her child was also the fake bad person. Similarly, the good-looking plot is not the inevitable life-and-death struggle between the two male protagonists, but the adaptation and interaction in their respective environments after calling for identities. The fake good person brought freshness to the police's home. At this point, the police's wife seemed a bit too old and shriveled, and it actually aroused the interest of the two male protagonists. . . . . The fake bad guys also experienced a moment of life and death when bad guys were besieged by the police and driven to extinction.
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