In the middle of the car there is a song: I'm leaving, I'm fxxking leaving... I want to escape from life, escape from work, escape from morality, escape from everything in life, go somewhere.
Trying to understand Big Ben through the lens of Big Ben seeing the world is a little more personal than watching his renditions, but... more interesting. The first film has a decidedly jerky and more decidedly character. The story seems to focus on the disappearance case, but the camera does not, never. It is placed in a prominent and inconspicuous position, the characters come and go, come and go, the grown-ups, the mature faces are constantly wandering. Patrick's face, his eyes flickering and wandering, the indifference and enthusiasm of the neighbors coexist.
He tracked missing children, tracked lost children.
Experience a shooting, wake up from a good man's dream.
The last three lines of the entire film are simply a full-scale plug-in. The attack power is strong and lasting. I was shocked but couldn't return to God... I can only think about this sentence in the end.
Kids don't judge, kids forgive.
Digression:
1. Nick's funeral made me travel to BVS in an instant, Patrick and Angela's car drove farther and farther and made me think of GWH, when I think that everything can find a connection after all Feel emotional. Thread, I don't know if I'm grabbing the thread.
2. This is not the first time that there are many gray parts that are difficult to describe from the story of Big Ben. He is really a kind of dark human with a charming sense of middle-class social responsibility. I like the morality he created. predicament.
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