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A film that tests the hearts of the world
Andres 2022-03-22 09:01:16
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Jaquan 2021-10-21 15:30:23
Too dramatic. Although the social significance and moral thinking are worth recommending, the performance techniques are too straightforward. Both the director and the screenwriter have dealt with it too hard.
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Therese 2021-10-21 15:30:23
The ups and downs and the ups and downs of the plot made me feel good about the director who didn't have much love for the predecessor who was a handsome actor. And the seemingly leeway ending is actually the director's position, even though this position is so clever that you still can't figure out your own position. Behaviors that take kindness as the starting point sharpen unexpected changes because of differences between people. Who has never been young, firmly wants to change the world by relying on self-righteous principles.
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Patrick Kenzie: [upon seeing Amanda's bare room] Kidnapped the furniture, too?
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Capt. Jack Doyle: You ever investigated an abduction before?
Patrick Kenzie: I think Mrs. McCready was hoping we could help with the neighborhood aspect of this investigation, the people, you know.
Capt. Jack Doyle: How old are you?
Patrick Kenzie: I'm thirty-one.
Angie Gennaro: He just looks young.
Capt. Jack Doyle: A four year old child is on the street. It's seventy-six hours and counting. And the prospects for where she might be are beginning to look grim, you understand? Half of all the children in these cases are killed, flat out. If we don't catch the abductor by day one, only about ten percent are ever solved. This is day three. He may look young, but if he wants to work this case, he better not act it.
Patrick Kenzie: Well, he's been hired by a woman who's the victim of a crime, and by law he's entitled as her representative to be cooperated by the Boston Police Department. So he expects to be.
Capt. Jack Doyle: And so he will be.