Short Review - Steve Jobs, Reivew on Steve Jobs

Obviously, this is not the second David Fincher social network: Danny Powell's bold composition, dynamic scene transitions, and clever multimedia appearances are all integrated with Sorkin's dramatic script, and there is nothing in it. The distinction between the host and the guest; and the three-act, single-scene, interspersed with flashback montage script structure, time is precious, more powerful, more refined and test of skill than the linear structure of social networks, which is memorable. More importantly, Jobs's nearly 20 years in this film is very different from the short timeline presented by social networks, which allows Sorkin to bury Jobs' self and father-daughter reconciliation plot in the form of dark lines in the play. , so that the human temperature of this film is significantly higher than that of the previous film. Ultimately, Powell and Sorkin's ingenious balance between reality and creation allows the film's nature to be clearly separated from biography and fiction, without compromising the producer's playwriting rights, without misleading the audience, or Too much hurt the feelings of the people involved. Four and a half stars.

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