blind.

Percy 2022-10-10 05:04:02

In the first thirty minutes of watching "The Hunt," several movies flashed through my mind. The characterization of the little girl Klara reminds me of "Orphan Grudge", but in fact there are only some phantoms with similar looks; I think of "The Furnace" in the material, but the truth of "The Hunt" is contrary to it; the implied theme is associated with " "Search", but if you compare it with "The Hunt", it is really far from the same. At the same time, there is an exposure of humanity in "The Dark Side", but it is not as clear and explicit as "The Dark Side". The setting of the story of "The Hunt" is not uncommon, and the meaning it wants to express is also obvious. It is nothing more than an analysis of social issues, but it is unique in narrative and expression.

Cut through the lies of children and uncover the huge blindness of mankind. The entrance is small and the analysis area is huge. When a wave of evil rushes into the ferry, the impact is unprecedentedly huge, and the black hole is unfathomable. The film cuts through the outer skin of reality with a point-to-point, see-to-be-closed approach, and the minimalist expression that seems to be nothing at all contains a well-versed and huge truth.
Who said that children can't lie, the little girl Klara gave you a resounding slap. Under the innocent face and innocent eyes, there is an evil that adults can't imagine. Although this evil is not long-planned, and the child does not understand the seriousness of the situation, but one lie is not enough, and the series of lies are enough to be disgusting. Sorry I don't understand, I just said a few nonsense stupidly for a while. Human stupidity is more than a moment.
The self-righteousness of kindergarten teachers and parents, their blind protection of children, the hearsay of irrelevant people, and the social drift of others, all act recklessly in this small town built by the movie. Human words are terrible, and public opinion weighs heavily on innocent people like a rock, leaving no room for it, and it is a powerless struggle that turns a deaf ear to nothing. The hunters wait for the rabbits. Anyone can be the prey to be hit in the next second. It is unpredictable and has no reason. It cannot be said or explained.
Even if a fair trial was legally possible, Lucas still lost the trust of others in him. The people in the town looked at him with strange eyes and did not welcome him to step into the supermarket, violence and beatings. This kind of prejudice and criticism is even implicated on the son, even the girlfriend and the best friend once began to doubt him. The scary thing is that maybe they are willing to believe the truth in their hearts, but on the surface they don’t say a word. Most people who don’t know the truth would rather choose to be deceived by rumors and choose to stand on the side of the majority, as if they were moral. The commanding heights confront the evil, but the evil people know nothing about their crimes. The fact is that the truth is not necessarily in the hands of most people, and people who can't distinguish between right and wrong talk about justice.
The puppy Fanny was killed and the corpse was thrown outside Lucas's house. The wanton revenge always pointed to the innocent. It was that scene that made me really feel the coolness of the cold wind. The shot of Lucas planting Fanny on a rainy day was also touched, when I was also holding my puppy. The character of the protagonist Lucas was portrayed to be extremely forbearing. All previous resistances and outbreaks were only released by his son Marcus, and later he gradually defended and resisted. In addition, the most emotional part of the movie is the part where Lucas goes to church on Christmas Eve. Klara stood in the middle of a row of children, incomparably holy in the sight of God, without fear. Her almost transparent eyes and pure and flawless voice did not interfere with the darkness and evil in her heart, but such contradictory and conflicting collisions hit my heart with a heavy blow, dulling pain. Lucas looked back several times. He stomped helplessly, avoiding the stare at Klara, and stretched out his hand to her father. These actions seemed irritable but showed helplessness and helplessness, which made people feel distressed.

There is no sharp and extreme expression, and there is no need to rely on the exaggeration of the emptiness and the impact of visual sound effects, just gently cut a small slit into a small mouth, calmly pour in the cool breeze, and you can keep surging. "Hunting" is a cold and violent violent cold wind, and like a cold war, the heart is violently ups and downs, full of tension. The director is very familiar with the emotional control of the audience, and he has a good grasp of the details of the film. Standing on the edge of morality and examining human nature, the calmer, the closer to the truth. All causes and results are adequate, retractable freely, there is no heavy depiction and extra space, not deliberately or excessively, and the strength is used appropriately.
Ignorance, ignorance, deceit, confession, Klara’s father brought bread, ham and beer to Lucas’s house. A year later, the town’s people, former friends, and Lucas’ girlfriend attended the coming-of-age ceremony of Lucas’ son Marcus together. On the surface, it looks calm and calm. It seems that the relationship between the characters has eased as before, and things have subsided a year ago. However, under the surface of trying to calm down, there is always the unpredictable gaze of the surrounding people, which is a pretended face. In the face of the test, we can only be silent lambs in front of cold eyes. A shotgun is handed over to Marcus. The shotgun symbolizes adulthood in this movie. This scene satisfies the ignorance and ignorance of adults in full view, obscure and straightforward. Lucas walked into the forest again and saw that the elk no longer held up the shotgun, he realized that he was actually not a hunter but a prey. Under the scorching sun, a vague figure raised a shotgun, and with a resounding blow, it hit the tree beside Lucas. The figure holding the gun was anyone, all of us.
Children are always innocent, they are evil but they don't understand evil, so the adults choose to forgive. Lucas walked to Klara, picked her up and walked through the insurmountable area, which was a forgiveness of good for evil. It's just that the gunshot can't escape. The darkness and light of human nature are intertwined, evil and good coexist, and the eternal darkness shuttles. Do you think time passes will make you safe and sound? In fact, the shadow is lingering, and the post-traumatic impact will inevitably last throughout a lifetime.
Animals living in groups are interdependent, the truth is hidden under the child's innocent face, and kindness and justice are shattered lenses that fall to the ground. Without the sharpness and tingling of a single blow, the film always creates a silent wailing and dull cry, which is a blind obedience in human nature and a huge blind spot in society. The cold filled the whole body, the pain was insensitive. Humans are not responsible for their selfish atrocities, but their prey has to block bullets for them.

View more about The Hunt reviews

Extended Reading

The Hunt quotes

  • [subtitled version]

    Lucas: What are you saying? Have you got something to tell me?

    Agnes: Stop it, Lucas.

    Lucas: You want to tell me something?

    Theo: Relax, Lucas.

    Lucas: The whole town is listening. Tell me! What do you want to say?

    Agnes: Stop it, you fucking psychopath!

    Lucas: I want a word with Theo. Look into my eyes. Look me in the eyes. What do you see? Do you see anything? Nothing. There's nothing. There's nothing. You leave me alone now. You leave me alone now, Theo. Then I'll go. Thank you.

  • Marcus: Bunch of bastards! Bunch of fucking bastards!