Everett 2022-03-22 09:01:13
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Rachelle 2021-10-20 19:00:59
A sense of rhythm and presence. Conspiracy, conquest and justice. PS: I don’t think how outstanding Roger Deakins’s photography is this time...
Orland 2022-03-25 09:01:05
1. The scenes, soundtracks, and editing have been created to be real, tense, and hit the hearts of the people with a sense of crises one after another; 2. The director is really good at being able to shoot police and criminal (drug) films with such personal characteristics; 3. Whether it is the opening scene The explosion, the transfer of the escort and the gun battle in the last half hour all show that this is an excellent film.
Phil Coopers: [assuring Kate] Advisors like Matt come in, they stir the pot, they cause the criminals to react and make mistakes. That's how we build cases against the individuals that actually make a difference in this fight. It's when they're nervous, when they stop trusting their crews, when they move their money. These are all opportunities to strike. And that's the purpose of people like Matt.
Dave Jennings: Kate, this isn't something that I dreamed up myself. I don't have the authority to hire advisors, or authorize joint agency missions, or fly agents from Air Force bases. Are you understanding me? These decisions are made far from here, by officials elected to office, not appointed to them. So, if your fear is operating out of bounds, I am telling you, you are not. The boundary's been moved.
Reggie Wayne: [sitting in a bar] Look at you. Your eyebrows are a mess.
Kate Macer: [hiding her face] No, they're not!
Reggie Wayne: They're like caterpillars, like wild beasts. You're losing weight.
Kate Macer: I'm eating.
Reggie Wayne: Look at you. What is it, one T-shirt a week? At least work on your personal hygiene, huh?
Kate Macer: You sound like my mother.
Reggie Wayne: Maybe I *am* your mother. First we work on personal hygiene, then we move on to the shopping.
