The daily life of transgender sex workers, their participation in Los Angeles culture as part of a social group, interweaving diverse pan-sex perceptions (non-heterosexual) with Armenian life circles around Santa Monica and the Highlands - Orange "Color" cuts Los Angeles from these angles, and you see the optimism and perseverance of the bottom group, mixed with emotions full of geographical reality, as if they happen to be around you, it will not be a strange illusion, it is this kind of non-violent participation Only by igniting your curiosity can you see them as part of ordinary life.
There must be such a girl beside you: she seems to be always incessant, easily unhappy, and rambles about the trivial matters of life. But you have to decide to do one thing, and it is unreasonable to be persistent. The light yellow with low color temperature is covered with those scenes where Sin-Dee was tossing and tearing, and the electronic sound is interspersed in Sin-Dee's mouth cannon, which quickly shortens the audience's sense of distance to this group miniature, you Who's character you like, then what she does is not so important, in short, I am. I really appreciate Sin-Dee's fresh vitality, you can see her unrelenting love, even though her fiancé is a drug dealer who pimps her, and on the night of the New Year's Eve, there is a cool breeze blowing in the doughnuts Tearing at the door of the store - but isn't the meaning of life also taking steps to chase the things you value? Not admit defeat is the premise of happiness.
Man always cheating - Chester slept with Dinah while Sin-Dee was in jail and had a one-night stand with her bestie Alexandra - biologically, except for Dinah, they were all male. In fact, I think "Orange" provides an opportunity to discuss the living space of non-heterosexuality in society. This objective existence has no regionality. Weininger quoted scientific evidence in "Sex and Character": 98% of human genes determine that we are bisexual, and in the remaining 2%, less than 1/3 are born heterosexual. It is not the genitals that determine gender, we should use males and females to distinguish males and females. This is why most leaders of the feminist movement are gay and they play the male side of their partners. In other words, reproduction is not the destiny of human beings, and the ban on homosexuality and even bisexuality by different religions is extremely political. Of course, this is just another angle. Discrimination against homosexuality and the superiority of heterosexuality over other groups due to social acceptance may be difficult to change in patriarchal society. Homosexuality remains taboo in our cultural system if we fail to create a social phenomenon that allows more inclusive values to take root. But I don't think this requires human intervention. After all, there is a reason for the formation of social networks. Darwin's selection of the fittest is not controlled by his will-society is more like a living creature, we just provide him with it. Just functioning parts.
The part that Razmik bit Alexandra in the taxi was as good as a yellowed comic strip. The foam hit the glass, spraying out the pattern of the waves, the rhythmic gesture is like a sexual jump, the deep desire is wrapped in candy paper, soft, soothing, and a little sad. In "Paradise Lost", Junichi Watanabe said that men cannot know the pleasure of acceptance. In fact, the tongue seems to be a taboo door. Once opened, it is a bottomless abyss. The sexuality discussed in "Orange" is highly open, which is quite different from the ritual sense of sexuality in the religious system and the discussion of sex and love (marriage) in universal values. Strangers connect each other's sensitivity and vulnerability through sex, and sex transactions about money, drugs, and guns are the daily life of the bottom of American society and culture. Sin-Dee's obsession with love is to be loyal to each other that includes sex. The partner's cheating must be investigated, and the mistress must be torn apart, but the interference of her best friend makes her embarrassed, but she has to laugh it off - this is not about values It's a life-and-death struggle, it's life. As if Sin-Dee could put Dinah on eye makeup and lipstick in the bathroom, friend, this is life.
On the cold street on Christmas Eve, Sin-Dee, who was unhappy with Alexandra, was called by a trumpet pretending to answer the call, and the other party splashed her urine on her like a joke. Sin-Dee squatted on the side of the road aggrieved after a while of swearing, and Alexandar pulled her to the laundromat on the corner. Sin-Dee was forced to take off his shirt, self-deprecatingly tossed the pads from his bra and removed his wig. Alexandra took off her wig and put it on Sin-Dee's head, teasing. The two stared at each other, and Sin-Dee took Alexandra's hand.
I wanna drink, I wanna dacne, I wanna sex at Los Angeles in the middle of the night.
Life is like that, and it's good to have you.
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