'Doomsday': The Standard School Movie

Hertha 2022-03-20 09:01:31

As a disaster film, the stereotyped characters and plots are the shortcomings and inadequacies of the film, which has been criticized. In the old-fashioned filming mode, the director keeps bringing us the continuous climax through the extravagant plot, which makes the movie appear unsettled and wave after wave. As a director born in the 1980s, a standard academic film technique makes the film look old-fashioned, and the fixed idea of ​​dealing with character relationships also lacks highlights and surprises. The only thing worthy of praise is the use of the plot and the special effects of the film. On the depiction of the scene, it is quite eye-catching and exciting and exciting. It is undeniable that the plot of the movie is really boring, but in terms of the wonderful degree of the movie, the experience it brings to us is still unprecedented wave after wave. Moreover, the director's grasp of the scenes of the movie is also very good. No matter from the selection of the camera angle or the grasp of the rhythm of the story, they are very appropriate and smooth. It happens one after another, but from the perspectives of different characters, the story is told in an orderly manner, fully combining the plot of the characters with different visual scenes at the right time, and never wasting every clip that highlights the effect and tension of the film, although the film It can be said that it is made up of special effects, but we can clearly see that the director has fully utilized the special effects of the scene to the extreme, thus covering up the shortcoming of the film's plot, which is too simple and straightforward. It is the main line of the story of rescuing the family. It is simple, but it is portrayed by the director as vividly as a crime action movie, with endless aftertastes.

The movie gives people the feeling that it is like the hero Dwayne Johnson, with a strong physique and big muscles. From the beginning to the end, how exciting it is, how exciting it is, the people who watch it are full of blood and climax, but the real content is almost There is nothing that can make people feel sincerely, relying only on the warmth and warmth of the family to set off an epic disaster scene, even if the plot and special effects are handled well, it clearly reveals a particularly individualistic petty family. Really unearth the heart-moving stories of the disaster, but also too much indulge in the small-scale creation of personal feelings and local interests, lack of thinking about the entire human civilization, and too much indulge feelings on personal feelings, It's a pity that people can't help but feel that if such a grand and spectacular epic scene can be matched with a story that can really tap into people's hearts and explore human civilization, I think the value of this movie's existence is no longer a simple second-rate commercial film. It is because of too much emphasis on the plot creation of the senses that the film has fallen into a kind of commercial whirlpool, and it is difficult to extricate itself from the vortex of commercial films. In addition to the wonderful popcorn special effects, it is difficult to leave deep memories for people. It is inevitable that the movie will disappear forever in the turbulent visual commercial film, and there will be no aftermath. However, from this film, we can also see that a post-80s commercial film director is on the rise. After Brad Payton has been baptized in several commercial films, he has shown his control and fine-tuning of commercial blockbusters, even if It does not really create the focus of the story, but it brings us a very good sensory experience. If we focus on polishing the story in the future, the future of this young director can be said to be limitless, and he is very interested in the climax of the plot. It can be said that the creation is handy, and it can continuously create various plot climaxes of different natures in a short period of time. The people watching are dazzled and applauded, which only shows that this guy is born with the ability and talent to control commercial films. The biggest regret of this movie is that there is not enough room for the actors to play. The focus and focus of the movie are all on the depiction of the disaster scene. The performance of the characters can be described as a brushstroke. , and hurriedly turned the camera to the next character. I have to say that the fast pace of the movie does not allow the actors to drag down the development of the movie's plot. This is also a major regret of the film's fly in the ointment.

Although the first protagonist of the movie is Dwayne Johnson, it is of no use. He has a sturdy figure but is not used by the director, and the director does not assign too many literary dramas to him, let alone He gave full play to the acting skills he possessed and acted like a vase as the protagonist, putting an action actor in a rather embarrassing situation. Fortunately, Dwayne Johnson already has a certain amount of personal appeal, and it also has an impact on the box office of the movie. Simply the movie is a fairly mainstream commercial film, and it doesn't matter whether you want acting or not. Dwayne Johnson is decided to be the protagonist of the movie, so at least a little action scene should be added, which can not only create more highlights and highlights, but also not waste an action star in vain, but it seems that the director did not I think so, because the director is very willful.

For a disaster movie with a strong commercial atmosphere, the movie is still very, very good-looking. The storyline is simple and direct, the visual effects are unprecedented, and the climax of the movie is continuous. The waves of emergencies are overwhelming, especially At the end of the story, the highly tense plot design is easy to see and explode. Although the plot pattern is a bit similar, it is so different. The director brings hope to people in despair and lets people see the dawn of luck. Greatly aroused people's interest in plot design. It has to be said that the director has the unique skill of being a killer.

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Extended Reading

San Andreas quotes

  • Lawrence Hayes: OK, who wants an "A" in independent study? I'm starting a new class: "how to save lives by hacking media outlets".

    Stoner: Hell yeah man, I'm in.

    Lawrence Hayes: Sweet bro. Get your laptop, let's go.

  • Ben Taylor: [to Blake that trap inside of a vehicle] There's not a chance in hell we're leaving you in there.