First of all, let me spit out the unreasonableness of the characters, why the male protagonist's age is set to be 18 minors, this kind of heat must be at least eighteen, your children will be soy sauce, when I am blind ? Many people dislike the female protagonist's tender and five-square face. I don't think it is so exaggerated. Although it is not as beautiful as the female supporting actress, it is not disgusting and hard to swallow. The female supporting actress Beichuan Jingzi looks quite amazing. At first glance, she is a natural and cute soft girl. It is said that this is the most prestigious "specialty" in District 11? There is also a handsome husband and wife Mu Cong who appeared for dozens of seconds. He collaborated with Kenichi Matsuyama on "Old Me", and plans to search for it when he has time. It is said that there is no L in the play, only XXXL.
The image of the male protagonist belongs to the simple-minded and well-developed type. He is impulsive and does not care about the consequences. The joy of life is to hook up with girls in addition to speed racing. At the beginning, the standard was relatively low. Others' racing was a juggling act, but his racing was terrible. Wherever he went, the audience was all worried and fled in a panic. Later, through the guidance of Han, I mastered the essence and essence of drifting, and it was easy to play. The drift of the final scene is very similar to "Initial D", and the characters of the single-parent male protagonist and his father's life are copied, and the boundaries between reference and tribute are slightly blurred. But it does evoke my nostalgia for "Initial D", when will I revisit it. In the play, I prefer Han. In real life, he is an American Korean. He is not very handsome, but he is calm and secure. He just wants to find a trustworthy friend to stay by his side. The attribute of not leaving snacks is very cute. We are also a foodie party in Tianya. How about we be friends? I liked his "Drawing the Dungeon as a Prison" the most. I thought he wanted to teach the philosophy of life in a serious way, but I only heard him prove that Drift is not for winning, but for picking up girls, which is to satisfy the so-called vanity of men. The most unbearable thing about this movie is that the screenwriter has written the character Han to death. Apart from paving the way for the male protagonist to become a new DK, I don't see any practical significance (in fact, it also interprets "you will always have to pay back when you come out" The big reason, forgive me for the subjective emotional color that I can't restrain). I don't appreciate the director's use of a stalk twice. The male protagonist strikes up a conversation, makes enemies inexplicably, and wins the beauties. I can only say that the history is always surprisingly similar.
The Easter egg part at the end was very unexpected. Vin Diesel reappeared in the arena. As a friend of Han, I haven't heard such a love line since the first part. Anyway, no past and no future, just the moment, that's all the racing gave me. Finally, I would like to add that the word-of-mouth and rating of this one may be the worst of the three, but I think the OST and car skills are the best of the three.
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