2. Don't tell me about God's perspective.
Zhen Huan taught us: The female lead leaves the male lead to save the male lead, and that is love; the female lead leaves the male lead for money, and that is a duty.
No matter what the male protagonist understands, why did the female protagonist leave him, the female protagonist has nothing to feel sorry for him, and the male protagonist is just like an old man who deserves to be loved by you. If you don’t love him, you will betray him Love, I will dump you for whoring money in public.
hehe.
3. The heroine sleeps with you, is it strange for the heroine? Isn't it your blue friend's task to protect the heroine from sleeping with her? If you can't do it, it doesn't matter, you don't want the female protagonist to enter the Duke's room with a hard-working love, love, love, love, okay? The heroine's heart is already very bitter, so why bother to add to it.
The male protagonist can be poor, pure love, inaction, and he can rush up to stun the duke like a black brother, but if you can't even understand the helplessness of the female protagonist, it means that emotional intelligence is not enough.
If you can't be as decisive as Jack and run away from Rose, you can't be as decisive as the Roman Holiday hero. If you can't stay together, let it go, or even be like the Count of Monte Cristo. Second come back to kill you Huang Shiren, what do you use as the hero of a fairy tale tragic romance? . . .
4. Whoever the heroine loves is indeed beyond her mother's control. But what about the person she fell in love with, whether she was worthy of her, I really have the right to say, it only makes people feel sorry for the goddess and does not make people call men's scum, it's heavenly.
5. The screenwriter's skills in shaping the characters are all on the supporting characters, the black brother, the Moulin Rouge boss, the tongue-cheeking dancer, the basic friend who sings Roxanne, each game is interesting, but the male protagonist, shaking his hand, put a lot of scum Now, the climax of the plot is not sweet at all with the chorus of the male and female protagonists, and most of the abuse of the female protagonist's death is only on the distressed female protagonist.
6. Nicole is so beautiful. . . .
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