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Lura 2022-03-23 09:01:39

Usually when we mention sci-fi movies, there are two films that must be mentioned, the first is Journey to the Moon, and the second is Metropolis.

Journey to the Moon is the first sci-fi movie in the history of sci-fi movies. It can be seen that because of the time science problem, the astronomy at that time still stayed on the geocentric theory. And it also overestimates gravity. As a result, a science fiction story that is now completely unimaginable has been created.

And the Metropolis was released in 1927. Why did the Metropolis, which was still a black and white movie at that time, become a classic work of science fiction movies with huge special effects?

The reason is that the later sci-fi movies have the shadow of the Metropolis and the expressionism of the Metropolis itself,

and I don't need to pick up on these. I mainly talk about my own views and

why I think they are classics, because the Metropolis has a special kind of sci-fi movie mode.

Metropolis is a sci-fi movie that incorporates philosophical propositions from sci-fi.

Metropolis first created a world with a highly technological background. From that world, put forward the philosophical proposition between man and machine. The world is simply divided into the rich with wisdom and the poor with labor. In a world like the 28 rule, 80% of people work for 20% of people, and 20% of people hold 80% of the world's wealth.

Poor people have to work in front of machines, no poor people will think about why I work here. I remember a picture of that giant machine that was turned into a hell-linked machine because of some hype misstep, and the living beings were lost because of this machine.

But the movie is thinking, labor and wisdom need to be connected and reconciled with heart.

As a result, the metropolis must create a cold world, just like the current part of science fiction creates an unreasonable and unfair world first. And then through the hero's encounter to change this unreasonable world.

With the help of the name of science fiction movies, Metropolis can logically create an irrational world, throw out philosophical propositions, and finally solve it.

This is a sci-fi movie business model created by Metropolis.

And the game between the two forces increases the watchability of the movie. After all, for some people to watch some sci-fi movies, they need to have scientific knowledge. And such a model reduces the knowledge of science, allowing more people who are not good at mathematics, physics and chemistry to come into contact with science fiction movies.

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Extended Reading
  • Rozella 2022-03-24 09:01:35

    An incomplete dystopian fable, but a future conception + religious metaphor is still enough to create an excellent viewing experience. The performance of the two-city structure is quite magnificent, and it is really remarkable to be able to make such an effect nearly a hundred years ago. The ideology is reformist. Metropolis is the Tower of Babel and Babylon that did not completely collapse, Mary is the Christ who escaped capture, and Hull is the demonized rebel. Fritz Lang sharply saw the wealth gap and class contradictions that existed in the society at that time, and even saw the fragility and ethical problems of civilization caused by science and technology, which is rare. But in terms of solutions, he naively believed that it could be coordinated and improved through moral or peaceful means. The film ends with a handshake between the head of labor and the ruler. It seems that the two sides reached a settlement through Fred as an intermediary, but what about after the settlement? The fundamental contradiction between the two sides has not actually been resolved. The prophecy of the Book of Revelation will come again. The so-called "the coordinator of the hands and the brain must be the heart" is just the wishful thinking of the vested interests.

  • Vergie 2022-03-22 09:01:34

    A dystopian movie in a sci-fi guise. The actor's expressions and body movements are exaggerated and jumpy, and the heroine Maria has been scratching her chest. The heavy footsteps of the workers and the machinery that never stops, the mouth of hell and the seven deadly sins perform spectacle. Those who built cities with their hands lived underground, and the upper-level rulers fully enjoyed social resources. When the contradiction becomes more acute and is provoked and erupted, criticizing and resisting will only bring disorder and chaos. The solution is the sympathy and religion of the upper level. Hand and Brain Regulator Idealism is a dramatic compromise. Build a dystopian world with a utopian vision. Yet the Tower of Babel will never be built. Class contradictions will never be closed.

Metropolis quotes

  • The Machine Man: [disguised as Maria] Leave the machines - ! Let them race to their death -! To the Heart Machine - !

  • Joh Frederson: [Talking on a video phone] Open the gates! Open the gates, I said!

    Grot - the Guardian of the Heart Machine: If the Heart Machine is destroyed the entire machine district will end up in ruins - !