this movie. It is mature in terms of structure, narration, and directing techniques. It is obvious that the director’s progress.
"Love and Childhood" and "Anna and the King" are all single-line linear narratives,
but there are two in the national rivals. The open line (Smith and the heroine, the fat accountant and celebrity under the guidance of Smith) and a dark line (the emotional belonging of the heroine's girlfriend)
and these three lines intersect each other to advance the storyline. The latter two lines not only play the role of telling the story theme "sincere love", but also create misunderstandings or promote plot conflicts for the main line of the story’s love between the male and female protagonists, and also highlight the images and work of the male and female protagonists from two aspects. And other people set up.
From the moment of appearance, no character is wasted, and there will be very small foreshadowings in the front. In the latter part of the story, the
director’s skills are good
and I like the protagonist. I also like it very much. In the face of emotions, you won't be inexplicable.
Although the supporting role pair does not match, the love story is also very convincing, quite touching, and will not have a hard and concave feeling. Although the fat accountant is awkward and unable to look directly, he is really good and caring to the ladies, and he performs wonderfully on key occasions, which does not make people feel embarrassed and phobic.
This one is really good-looking. Although the comedy elements are not few, but the whole is actually quite formal and quite romantic.
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