At first I saw this "Face Change" in the movie recommendation. The unique skills of the door were very kind, so he took patience and started watching this movie. Let me share some views on watching the film from the perspective of non-professional film critics.
Although it is a movie from a long time ago, the plot is not conventional. Let’s talk about the various dialogues I saw in the movie first. The face-changing king, as a decades-old old Jianghu hi Kuopao brother, a few words are inseparable from all kinds of jingles on Jianghu, even if he is caught in the police station Forget the jargon to talk to the police. Suddenly I thought of the conflict between the soldier and the face-changing king in the movie. After watching so many movies, I felt that I could guess some routines. I thought that when the dog baby finished scolding the soldier and the face-changing king, there would be a fight or lose money to avoid disaster. However, the face-changing king used his experience in the arena to resolve this disaster, which was indeed unexpected. The words of Huluo and Pingyang being bullied by dogs sung by the face-changing king after the incident will not produce the Ah Q spirit that is shown in modern movies when they encounter the same thing, but a real experience of the helplessness of the lower-class people when they encounter this kind of thing. lift.
Secondly, an eight-year-old dog who takes Tianci to escape from the clutches of human traffickers is full of idealism, but it promotes the following series of plots. I know that the dog will bring Tianci to find her grandfather, thinking that the face-changing king will return Tianci to the Wen family. Then I got some rewards, but I didn't expect the dog baby to give the face-changing king to be the grandson of the face-changing king, so he hid to the side to steal the radish, and lacked the opportunity to explain. Guilty for this.
I noticed some details in the movie, when "Living Guanyin" knelt down and begged the dog baby, he stood, and the dog baby knelt down and talked, I couldn't help but want to complain that he was impersonal. Let Li Xiang rub the dog's long kneeling leg. This kind of detail is taken into account, which shows the degree of intention of the film. When I saw "Living Avalokitesvara" telling Gouwa that the teacher asked him not to intervene, and he calmly combed his hair with the dog's cry, I remembered the old saying "A bitch is ruthless, an actor is not righteous", and then he Gouwa said, "I'm just like your grandfather. I'm an entertainer, an actor, and I'm nothing in the eyes of others", revealing the bitterness in his heart. It turns out that he is powerless, and the division between occupations is really sad. .....
(I wanted to write something, but the memory is gone, only the hastily ended...)
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