1. When the maid shows the moment of aging in Ben's eyes.
2. When Violet closed his eyes and said to Tate: go away is
like a palace fight, doubting the setting of this soul environment. Everyone lived in the same house. When the protagonist's family was alive, these ghosts intersected with each other, each with his own small abacus. Everyone looked down and saw it. According to this kind of population density, no matter how big the house was, it was a little crowded. But after the protagonist's family died, the other ghosts stopped showing up? It's like being driven away by the protagonist's halo... I don't understand the
conclusion: I'm happier
when I'm dead. My favorite is the setting that Violet found out that he couldn't leave, and only knew that he had already died in the house. She was worth looking forward to. After she died, I felt that it would not be a good (result) ending.
As for this kind of ghosts that can be felt and touched to cause actual harm, I have no sense. I prefer those ghosts that can feel existence but cannot touch the real body. I prefer the horrors of Japan, South Korea and Thailand.
As for the rubber man (pervert in a sexy way),
the family of three who was burned to death, the
duo of troublesome brothers,
or Constance's handicapped children, I
personally don't think it's scary,
but rather weird.
The burnt-out man, and the first owner of the house who wants to know if his crazy medical skills have brought his child back to life, doesn't seem to appear in the play...
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