We have too much spiritual heritage, and we can't escape this spiritual heritage if we destroy it.
It is not necessary to write a brand new story, but under the original shell, it is completely free and easy to interpret a story with its own soul.
This great saint has not yet returned.
In most of the pre-set jokes in the story, I clearly saw the violence of the radiant bear-infested style, the fighting was not clever, and the protagonist’s aura was excessive, all of which were dazzling skills that did not serve the plot and character creation. The final presentation of these scenes has achieved the effect of making some audiences feel that "domestic animation technology is good", but it just exposed the weak narrative ability of the director and screenwriter (the same person), which belongs to the very obvious "the plot is not enough for special effects". . And because these action scenes cannot be closely integrated with the core of the story, we can easily see the reference to many animations and action movies from them. These scenes can be established in any animation movie, and Wang Feng's MV The "Forcible Burning" of the book also fully illustrates this point - if this paragraph is cut out and placed in "The Lotus Lantern" or "Star Travels", I believe it will not violate the harmony.
Universal application illustrates the lack of uniqueness. The same is true for why the audience also had a bipolar reaction to the BGM in the film. Beijing Opera? Westward Journey? pop song? The overall BGM does not have a consistent style, so that the narrative rhythm is dominated by the background sound effects, and the sound effects are used to remind us of the turning point of the story.
The same abruptness also appeared in the design of the characters. The most outstanding design of the whole film turned out to be the puppet of the great saint in the hands of Jiang Liuer, while the other designs fell into a kind of weird chaos. In addition to keeping the human image in the same style, Zhu Bajie is too fat, the white dragon is too gorgeous, and the "Hanjiang monster" after the big BOSS transforms... I always teach people that this is a film that pays tribute to "Toy Story". .
Confidence in technical presentation may have caused the weakness in other parts of the film to be repeatedly ignored. In this ignorance, the entire team can feel the overestimation of the popularity of this "national classic". In the setting of the ultimate BOSS, some people have been asking during the viewing process: Is this the sand monk? Whether he is or not, there is no explanation for why his entanglement with Wukong is so deep, even weaker than the bond between Bajie and Wukong. This can teach people how to believe that he spent a lot of energy but begged for the death of the Great Sage? This oversized bug is also the main bug in the story. And the rest of the big and small inconsistencies in the plot do not need to be detailed.
Once upon a time, we've discussed what's wrong with comments in our "Unskilled Salon". Are we also too critical of the domestic works we have seen, and we are always reluctant to use the appreciation level of the general public to peek inside. But reviews are reviews. If book reviews, music reviews, and film reviews are just content introductions or praise and praise, then the progress of literary and artistic works may be even more insignificant.
There are enough praises in the world, and it's not that I haven't mentioned the goodness of this movie. In the circle of watching Guoman, the technical level has long been not a surprising angle. We still pay more attention to the story itself. Of course, I saw the trade-off made by the production team on audiences of all ages: although the banshee has seductive breasts, Bajie's inner confusion is still out of food rather than desire. There are still friends who have ridiculed very accurately: this film has raised the viewing age of domestic animation from 5-8 years old to 8-12 years old. This limitation is the limitation of censorship, but more importantly, the narrative level lacks the ability to create a dojo in the snail shell.
Deep love and responsibility. I have read and written down everything about Zang Fu Guoman, but whether it is the hesitant "Kuiba" series, or the "Big Fish and Begonia" that has been delayed for thousands of years, we need our real money and silver support, and we will always enter the theater. .
by There are assassins!
View more about Monkey King: Hero Is Back reviews
