I don't really like this movie because the cons outweigh the pros. But out of love for classical music and World War II subjects, and a superficial physical obsession with Matthias Schoenaerts, I felt I should write something to pass my boring sick days. Like the unfinished "French Suite", this anachronism of love has quietly ended without a clear beginning. Maybe it's the unfinished beginning, or maybe it's some kind of strange life fulfillment? Haven't read the excellent original, and judging by Bruno's uniform, he was a Wehrmacht, not Hitler's SS. This is important because the Wehrmacht is a regular German army after all, not brainwashed, fanatical nationalists, who certainly cannot escape war crimes. Even the greats such as Karajan joined the Nazis during World War II; in the political atmosphere at the time, the master must have joined for the sake of music. So in a way, Lieutenant Bruno, who is a musician, is a victim of this war, and his relationship with Lucille is destined to end in regret. The only person I have something in common with is you!!! This is true, the handsome Bruno and the quiet Lucille are people in the same world (cheesy saying: they are a match with the same class attributes), especially in this remote Bussy town, even if Lucille is in the family Fall and marry into a wealthy family. This world is full of worry-free life, good education, and elegant and decent behavior; this world is full of heartfelt conversations under the bees in the garden, hand-in-hand walks in the drizzle morning mist, hugs and kisses under the stars in the dark night ; This world is full of four-handed polkas, heartfelt serenades, dancing in the swaying candlelight; everything in this world conforms to the ancient rule of being a fair lady and a gentleman, why don't you love each other? As for desire, it is so pure and beautiful! It's just that beyond the world are turbulent times and an unpredictable fate. Lieutenant Bruno has all the qualities of a gentleman, maybe the music makes him have a tenderness that is almost sensitive, and it is extremely sexy. He treats Lucille so softly, with a gentle smile, a gentle gaze, a gentle touch, and a gentle but unhurried kiss when Lucille takes the initiative. This gentle temperament is in sharp contrast with the military identity, like a kind of drug, dazzling. Bruno, who left his wife when he was newly married, must have exhausted his relationship with his wife for four years. As he said to Lucille in the garden, I temporarily understand that his wife no longer loves him, forced by long-term separation or other circumstances. . There is no right or wrong here, some are just involuntarily by the German people during the war. Bruno should be quite helpless to this war like most German people. Perhaps in the past four years on the journey of constantly attacking and occupying other countries, Bruno has witnessed too many unbearable things in the world. As a passionate musician, he should be extremely sensitive to beautiful things in his bones. Lucille is like a clear spring, without any presupposition, and just walks into Bruno's world. Of course this spring, like most people in occupied countries, resisted at first with silence. Maybe it was the natural attraction of the opposite sex, maybe it was the boost of piano and music, maybe it was months of silence, the officer was the one who fell in love first. In this relatively "stable" occupation time, Bruno, who has an admiration for Lucille, wants to have a decent relationship with him in a decent way. No matter whether there is a result or not, at least this kind of nourishment for one's lonely soul proves that the world has not been completely abandoned by God, and proves that he is still "alive". But decent or not, Bruno's occupiers are like an impenetrable mountain. music day Most of the people who are divided are sensitive and agile, and Lucille is no exception, but her heart is repressed, and her unsatisfactory life has turned her into a bird in a cage. She looks forward to the outside world, and constantly compromises with the status quo, constantly convincing herself that such a life is the best choice. No war, no Bruno, maybe Lucille will always be a poor rich woman. Months of silence and the sound of the violin accompanying him to sleep every night made Lucille realize that Bruno was different from other German officers, especially compared to Bonnet, who was also a lieutenant. In the 1940s, Lucille must have been like most well-bred women. Emotions are very subtle and subtle, so male directors can't help but handle it rough, which is also one of the shortcomings of this love movie. However, through some details of the film and my personal understanding and feelings, Lucille's love for Bruno is also traceable. I don't think anyone really loves Lucille except for my dead dad. When it comes to respect, Lucille absolutely lives on an island. The husband who joined the army has an illegitimate daughter; the powerful mother-in-law thinks that Lucille is married for money, and even Lucille’s favorite piano is usually locked; the tenant farmers in the town automatically regard Lucille as the opposite even though Lucille is always secretly helping; Probably only Benoit's wife counts as a friend. All in all, Lucille is the outsider of this town. Naturally, Bruno, who always put himself in Lucille's shoes and helped Lucille, made Lucille feel the love and respect that he had missed for a long time, not to mention that the lieutenant was a handsome and tall gentleman. The illegitimate daughter incident seems to have inspired Lucille's self-independent side. When she helped Mrs. Perrin to get back some items in the old house, it seemed that Lucille didn't care much about what the residents of the town thought of her. After all, these people were doing it. Occupiers write anonymous letters slandering other people's sordid activities. Not everyone else fight each other, hate each other, just leave us in peace. Therefore, women's feelings are different from men's. Women need longer time to discover and conquer themselves; in fact, desire is generally the same. As far as I personally feel, getting to know Bruno is a life gain for Lucille, whether Bruno is the occupier or not. Because Bruno directly or indirectly opened up a new life for Lucille, a life that can dominate her own destiny. After all, in the special period of World War II, love and love are not the most important life elements for women. But at the same time, I am also sentimental for Bruno. When Lucille went to ask him for a pass, his helplessness and tearful reluctance to part made people tearful. Thinking of Bruno dying in battle or dying in distant Siberia, that kind of helpless like ants in your bones constantly eroding your body. Maybe Lucille's It's precious to me. Terminator for this flexo. Bruno should be relieved! ~Fin~ I got to know Schoenaerts because of Rust and Bone. He should be the only actor I can't forget in the past two years, and of course this kind of obsession is mixed with the superficial obsession with his body that I wrote earlier (his body proportions). Perfect), but more of an appreciation for Matthias Schoenaerts' personality and acting. Matthias Schoenaerts played the rudely fucked but kind-hearted Ali in Rust and Bone perfectly, and I think there's one thing the character and the actor have in common, namely: the old man's body, the little boy's eyes. I can always find a touch of mischief in Matthias' eyes, a touch of innocence, and of course a touch of sexiness. I remember Marion Cotillard once said in an interview that the only time she was willing and very fond of shooting that kind of scene was with Matthias in "Rust and Bone", which is a self-evident praise for M. In the past two years, I have seen Matthias' film appointments continue, and he has cooperated with many well-known actresses, and he has begun to look like an international first-line star, which is very gratifying. I just hope that Horseshoe will try not to spend time in boring Hollywood commercials and be a deep actor after getting the status he wants. A terminator is drawn for this flexo. Bruno should be relieved! ~Fin~ I got to know Schoenaerts because of Rust and Bone. He should be the only actor I can't forget in the past two years, and of course this kind of obsession is mixed with the superficial obsession with his body that I wrote earlier (his body proportions). Perfect), but more of an appreciation for Matthias Schoenaerts' personality and acting. Matthias Schoenaerts played the rudely fucked but kind-hearted Ali in Rust and Bone perfectly, and I think there's one thing the character and the actor have in common, namely: the old man's body, the little boy's eyes. I can always find a touch of mischief in Matthias' eyes, a touch of innocence, and of course a touch of sexiness. I remember Marion Cotillard once said in an interview that the only time she was willing and very fond of shooting that kind of scene was with Matthias in "Rust and Bone", which is a self-evident praise for M. In the past two years, I have seen Matthias' film appointments continue, and he has cooperated with many well-known actresses, and he has begun to look like an international first-line star, which is very gratifying. I just hope that Horseshoe will try not to spend time in boring Hollywood commercials and be a deep actor after getting the status he wants.
View more about Suite Française reviews
