"I want this day, I can no longer cover my eyes; I want this land, I can no longer bury my heart; I want all sentient beings to understand my will; I want all Buddhas to disappear." At the age when I first learned to think Here, I read "The Legend of Wukong". The lonely little monkey who spent 500 years but still could not escape his fate broke my heart. So far, the image of the majestic Monkey King began to have a different color in my heart. Take a closer look at the role of Monkey King, Monkey King. In the 86th edition of "Journey to the West", he was invincible, rebellious and unruly, but he was trapped by a curse and embarked on a long road to learn scriptures from the West. Although he finally obtained the scriptures, he wasted years and hurt his feelings. And all he wants is to eat, drink, and play with those monkey children in Huaguo Mountain and enjoy the world freely. In the masterpiece "Journey to the West" in 1999, Wukong, as the last relic, finally killed himself, and the tragedy was even more intense. It is not ironic to say that this drama is a masterpiece, except for its repeated special effects and actions, abandoning the viewpoint of Liu Xiaoling Children's version of Journey to the West, this drama is very subversive and very stunning. The whole drama has an extremely complete world view, and I recommend it to everyone here by the way. It is worth watching again, and re-experience the more wanton and subversive Westward Journey world. Then I have to mention Stephen Chow's "Journey to the West". The innate destiny is irresistible. He thought he would become a hero of the world, that he was the only one in this world, but in the end... "Look at that person, so strange, like a dog." Yes, in the end, it's just like a dog. Looking at so many images of Sun Wukong in China, even if he is omnipotent, the tragic color is always a symbol that he cannot escape. All kinds of giving up all kinds of struggle, and finally can not escape the word fate. In "The Return of the Great Sage", which will be released on July 10, the image of Monkey King Monkey King becomes more interesting. He has no spells, he can't fly, he is no longer fiery, no longer like black iron, but a useless stinky monkey who hasn't taken a bath in eight hundred years. Ashamed of his pain, when he sank into the depths of the dark seabed, Jiang Liuer woke him up like a light. Jiang Liuer, who has not yet become a Tang monk, is naive and brave, and is curious about the world. Unwilling to meditate well. He does not have the incompetence and cowardice of Tang Seng, nor the pedantic hypocrisy of Tang Seng. The only similarity may be the endless ramble in the movie tribute to "Journey to the West". The partner of Jiang Liuer and Sun Wukong seems to be mindless and unhappy, and Sun Wukong, who has become a dad, is even more interesting. The image of Monkey King is designed to be very different from the Monkey King in our impression. As soon as Monkey King appeared in the movie, people around him exclaimed: "Oh my God, is this Monkey King a horse? This face looks like Li Yong. It's like." Zhu Bajie still looks like that, and he's a little bit of a laziness. The land father-in-law who made soy sauce is also full of drama, cute and cute. The role of the silly girl is only responsible for selling cuteness, which is slightly monotonous. The monk master disappeared inexplicably, and finally appeared inexplicably. There are some flaws in the character setting. Among the villains, the mountain demons are still stupid and unlucky; when the villain BOSS first appeared, he looked like a faceless man with makeup on. The 3D effect of the movie is not as good as the legend, I don't know if it is the problem of the theater I watched. The speed of emotional advancement is too fast, resulting in a slightly thin plot. Finally, it stops abruptly at the climax of the plot. It is a bit disappointing that the emotions are not allowed to ferment to the climax and the darkness is silent. But from the movie's exquisite art, matching dubbing, and stunning soundtrack, you can definitely see the conscience of the filmmaker. Personally, I feel that the film may have made some unnecessary compromises in the creative thinking in order to take care of the younger age groups. After all, for children, this Monkey King is like black iron, with bright eyes, immortality and seventy-two changes. , but why? But what about the only one who couldn't protect this little man who shouted "Great Sage"? Stories like this are too cruel for children. But I'd rather be this cruel ending. This way I can be persistent enough to believe that this is a story about the afterlife and this life. Such a monkey who gave up drinking and talking happily, such a waste of five hundred years under the Wuzhi Mountain, such a long road of helplessness and pain in the west, or those who have been hurt and misunderstood. Doesn't it seem so sad? All no regrets and no regrets, all sacrifices have come and gone. Because everything is what he wants. I, Sun Wukong, the great sage of the sky, with boundless mana, said I would protect you! I can't protect you in this life, but in the next life it will only be for you. "Don't follow me, little brat!" "Don't drive me away, Master!" Misunderstood grievances and hatreds, doesn't it seem less sad? All no regrets and no regrets, all sacrifices have come and gone. Because everything is what he wants. I, Sun Wukong, the great sage of the sky, with boundless mana, said I would protect you! I can't protect you in this life, but in the next life it will only be for you. "Don't follow me, little brat!" "Don't drive me away, Master!" Misunderstood grievances and hatreds, doesn't it seem less sad? All no regrets and no regrets, all sacrifices have come and gone. Because everything is what he wants. I, Sun Wukong, the great sage of the sky, with boundless mana, said I would protect you! I can't protect you in this life, but in the next life it will only be for you. "Don't follow me, little brat!" "Don't drive me away, Master!"
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