The goodness of "Doomsday" is first in the rhythm. Compared with "Jurassic World", which had a long climax in the same period, "Doomsday" has a compact plot with ups and downs in large and small climaxes, fully respecting the wisdom and wallet of the audience. .
Secondly, the good thing is that it is entertaining. Although it is a disaster film, it is full of entertainment, especially for the teaching of emergency survival skills. (Are you sure that these training classes have no advertisement placement?) In the
end, fortunately, the connotation is concise. Except for the core values of family love that Hollywood is used to (this time there are finally no dog members), and the cold knowledge of geography, "Doomsday" is more like the United States. Reflecting on the economic crisis, the major cities in the United States were reduced to rubble in large-scale plate-moving earthquakes, which corresponds to the depression in the United States swept by the economic crisis. It becomes purgatory, the highway turns into a demon, and the only thing that is calm is the usually underdeveloped agriculture (this movie actually takes time away from the busy schedule, allowing the male and female protagonists to enjoy the beautiful scenery of the aerial photography); the original routine thinking has become a joke (the heroine's The object of his remarriage is a handsome and successful financial man, but he threw away the heroine's daughter after asking the security guard for help during the earthquake), at this time, a tough guy like Johnson finally returned to his place. What really comes in handy in a crisis is emergency response. Survival skills and hacking (university professors recruited students to hack into TV stations to spread crisis warnings), and financiers were killed by containers on ships that were overturned by the tsunami on their proud bridges. It's really a sarcasm, a tune that should be sung, and a skill that should be dazzled.
And in the end, of course, Johnson's closing statement: rebuild.
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