See also Zulan. The last Japanese movie I watched seriously was "Nah, Nah, God Goes to the Village". At that time, although I was deeply impressed by the appearance of the young version of Wang Zulan, I couldn't say I liked it. When it came to this film, it was really overwhelmed by its aura, or shot. The small wretchedness in the first half is the actor's own attributes, and ordinary people can't act it out. Without such a plot, I'm simply sorry for Zu Lan's face or Zu Lan's face. After replenishing the heart, the protagonist successfully transformed from a wretched man with hairy hands and feet into a wretched man with a slightly paralyzed face. I haven't been attracted to him yet. The turning point happened just before the male protagonist went to the rooftop and shot Shimada in the face. As he walked, he took the steel pipe by the side of the road at his fingertips, his calmness and composure were so handsome, and showing such a temperament was really different from the wretched diaosi man in front of him. The next archery with a bow pushed this handsome to the top, and it was very creative to turn Ah You into a bow, which echoed the details of the first half of Xinyi's visit to the Archery Department when he was walking around the campus with Ah You. It is said that men are the most stylish when they show a focused side, and the picture of holding a bow and shooting an arrow to aim at the prey is undoubtedly the most direct expression of this feature, so it is no wonder that from Legolas to Hawkeye, There are more and more archers taking the scene in the movie.
The plot of the movie is tight and the pace is not slow, which makes me very happy. In addition to Quan Xinyi, the hero who has a large contrast between the front and rear and is quite interesting, the other protagonist, Ah You, is also very pleasing. In this face-seeing world, with the honor of Ah You, it can be said that he has already lost at the starting line. But the excellent voice acting and distinctive character settings still make the character cute. As a right hand, Shinichi Luyuan on the bed is thrown away, dragging his slender plasticine-like wrist, pacing up and down on the table while chatting, his classic appearance always makes people smile. This is another Sheldonian, Curly Fu-style genius with high IQ and low EQ, who is too rational and unreasonable but looks cute. Ayou is perfectly competent for the job of male number two in all aspects. However, based on my years of experience as an otaku, I still feel that he is not in line with the expectations of most otakus for the right hand. Ayou can help Xinyi, an otaku, to solve many problems, but to perform the most basic functions of an otaku's right hand, it is more suitable to be a woman.
As a story that is divided into two episodes and released, this film has a relatively independent emotional main line with a very conscience, that is, the abusive mother-son relationship. The bear child stubbornly had a big fight with the parents who raised him through hardships, and it turned out to be the last one. A very classic, or rather old-fashioned, way of raising the flag of death. It's just that children are raising flags for their parents. Despite the clichés, I'm always moved by these kinds of plots. So in my life I always try to avoid being the last person to speak in a dispute with someone I care about, because some words said in anger may be remedied, maybe not. The same is the right hand, the mother's hand does not have superpowers like Shinichi's Ayou, but she saved her son's life twice with this ordinary hand, and finally even contained the terrifying parasitic beast; The new one of the child, even if he has the ability to go to heaven and earth, is still limited in what he can do for his mother in the end. This is the true portrayal of the relationship between parents and children in most families. In the film, Xinyi did not cry after completely destroying the mother who was invaded by A. The plot seems to be handled in this way to show that Xinyi and Ayou gradually merge in character and become more rational than emotional. In fact, even ordinary people may not be able to cry when cruel things happen. Earth-shattering, sudden, yet seemingly unrealistic changes can't break them down and make them cry for the first time. However, they may remember without warning on a single night when their mother carefully took out her purse at the market to buy their favorite minced meat, and then the memories flooded in like a mountain, taking every ounce of his strength. .
Regarding the part of maternal love, in addition to Shinichi and her mother, there is also Tamiya Ryoko, who is constantly learning about human emotions. This pregnant woman in white always reminds me of Lady White and her baby Xu Shilin. I guess the plot behind it should be that the new good son is locked in a certain tower. Eighteen years later, good son's baby grows up and comes back to save his mother.
The sequel flower in the form of an end credit egg indicates that there will be more villains and more blood in the story in the future. Since the length of an episode is limited after all, many interesting characters are just a glimpse, and the purpose of appearing is purely to pave the way for the next episode, such as Kitamura Ikki and Asano Tadanobu. The former acted as a parasite in politics. I think if he brought his family's Yu Zhicheng to run for election, let alone the mayor, he would have no problem choosing the prime minister; as for the latter, he would show everyone an elegant look. Yes, in the world of parasitic beasts, there is also a difference between foodies and rice buckets. Thor's friend seems to be the most powerful Boss this time. This made me think by the way, whether Superman, Saiyan, Asgardian, Transformer or parasitic beast, to deal with these alien races or mysterious high-intelligence creatures, we must ultimately rely on the leading party.
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