Therefore, "Barry Lyndon" is not entirely a character biopic. On the one hand, the characters are fictional after all; on the other hand, the characters are not the real focus, but Kubrick's film clues, linking an era through the protagonist's point of view . This can explain why the movie has never focused on portraying Barry Lyndon's character, so that the character's personality is slightly changeable.
The director focused on recording the style of an era, so the film took the trouble to use all kinds of slow motion to capture various details of the nobility in the classical era, including clothing style, architectural design, behavior and so on. At the same time, through the classical soundtrack, the elegance of that era is rendered to the greatest extent. Through careful lens composition, every frame of the film is turned into an "oil painting" in a shot.
Some people may say that history records the events of the nobility, and Kubrick is no exception. Of course, Kubrick also mentioned a little about the glory of the nobility, which was exchanged for the sacrifice of various little people in the war. Life itself is full of all kinds of inequalities, and at the same time of anger or helplessness, the elegance of the aristocracy cannot be denied in a word. This historical contradiction remains unchanged, so Kubrick's shots are still calm and without any emotion.
Behind Barry Lyndon is a huge era. This era is either elegant or tragic. Fortunately, the audience can feel the historical style of the past through Kubrick's film works. This is the greatest value of the film and the important value of film art.
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