Bameitu is Ou Rong's film. For me, who made me into a room like a god, I can't comment on his other films. Anyway, what I love deeply is all nonsense, but I happened to watch it in a short time. All the time, the concept of feminism lingered in my mind, and it was added to the fire by Bameitu, and I could only toss and turn around for entertainment.
Feminism is a particularly moving concept. When I heard about it for the first time, I fell in love with it completely. Both ignorant and loving, I would inevitably use my own fantasy to outline it. In my mind, feminism is like ice water. Helping over the moss stream stone is very firm and gentle, the so-called moisturizing is silent, which can be especially reflected. Compared with feminism, it adds a third of charm. A woman who loves women can especially appreciate this subtlety. Like Woolf's frown when she wanders, her face is pale, her expression is always a mixture of arrogance, sensitivity and delicate feeling, her work, her existence, is not to fight to prove anything, she is there, the color of the clothes Shallow and light, the genius mind knows everything and is confused about everything. The words in the pen carry her gentle talent and neuroticism. Everything merges into an extremely charming image, like the still but flowing she in the photo, colorless, But the charm is boundless. Moments after watching, I closed my eyes and had hands in my head that could touch Woolf's face, shoulders and calves, a little erotic, a little confused, but more of a synaesthesia, a fingertip touch, like The infiltration of the whole body is not only to be impressed by talent and emotion, but also to indulge in the unique charm of women.
There are a lot of twists and turns in Bamei Tu. After all, it is a film with images and concepts that are more than realism. However, the scene where Aldan and Deneuve went from fighting to kissing, the first time I watched it, I was a little surprised, but Afterwards, it became the most memorable part of the whole film. The use of the camera, the whole body is specially shot from the top of the head, the closeness of the two bodies is deliberately shown by the director, the kiss of the two characters is the first kiss after all kinds of explicit hints of women's love in the whole film. Ardan, who is wild and uninhibited, always has a provocative and controlling look, and the other is Deneuve, who is loved by the maid, and is constantly challenged and inspired throughout the film. Thanks to the infinite charm of the two actors, this scene It is the climax of the whole film, and it is also the most impactful female kiss in my viewing experience. Deneuve's can't help it, similar to the book that carries the essence of Woolf's spirit all the time, inspiring Moore's character, the so-called feminist awakening, and Aldan's role is also an inspiration, an ultimate inspiration , not limited by the secular, with unrestrained feelings but delicate and profound side, the red fiery red outlines the lines of the figure, in fact, the first time they met, it formed an impact on Deneuve, and finally the two crossed the line. Two men who love together can't help but hug each other. Of course, this does not mean that the love between women is deeper and greater than that between men and women, but it just represents the awakening of Deneuve's feminist thoughts as a typical lady who has experienced love. Putting aside the position and perspective, and independently re-examining the charm of women, this is a whole new realm.
Appreciating women in terms of appearance, sexual desire and possession, and even mind and wisdom, or women's self-appreciation, are all flawed and incomplete. The charm of women lies in the integration of these unique feelings with women, not one-sidedly. Women with this quality, they don't need to prove that they are fighting, they are really there, closing their eyes can outline a smooth and curved shape. The lines and the rays of light are all melted, without any flaws or sound.
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