An inventory of real people:
1. The cool male protagonist who uses a flashlight as a nunchuck. In the end, he won the scythe of the evil pharaoh with this skill (sneaking into the Smithsonian Museum is very spy film flavor);
2. Tangled names The fat guard with pronunciation and the sarcastic museum director are both nasty enough to be good with cute little villains.
3. There is always a ghost spirit who acts as a little military advisor or a computer prodigy at critical moments to provide network information that outdated parents are not good at;
two historical figures:
1. The heroine equipped for the male protagonist makes up for his lost passion for life: The adventurous and immediate female pilot, her passion of the age is full of screeching, musical walks and diver-like struts that are beyond laughter; flight in the moment of escape in the first human plane made of wood-paneled paper The stunt shows the talent beyond the beauty and passion, and the part that should be the climax is also unpalatable;
2. The ancient Egyptian pharaoh Carmen pulls back from the dead together with the gangster of Tsar Napoleon to create four villains in an attempt to open the door of death and make a comeback;
3. The American general with the thick blond hair like lamb's hair is thinking ahead;
4. The mini cowboy who is upside down in the hourglass and the Roman general who tames the mouse mount to fight the enemy's feet;
5. Lincoln who is not the president but the moon; bobblehead doll Einstein;
Inventory of three animal statues:
1. The space monkey who can flip the switch and the capuchin monkey fight against the male protagonist and finally form an alliance;
2. The octopus that lacks water and dry, kisses with mucus and stretches and twists tentacles very realistic;
3. love is Cupid, love germination of small praise;
4. thinker woman next door neighbor ambiguous;
5. carrying giant dinosaur animal world kangaroos penguin parade organized by hippos and other animals pollution .
It was a very good idea, but the filming was a bit pediatric, and the scene was limited like a stage play. The chattering historical figures were all masters of drama, and the low-production labelling style used lip-smacking to fill the void where physical performances could not be carried out. , interpreting the grand and contradictory story of the scene, but in unity and harmony, using modern thinking and slang to play with the mood to tell this good idea that made me full of longing and history.
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