When you leave home, your father watches alone

Boys always try to do two things on the road to becoming a man: travel far away from home, and constantly strive to make their father proud. The relationship between father and son is always very delicate. As a junior, on the one hand, we must always respect the authority of the father in the family, and on the other hand, we need to continue to strengthen ourselves to catch up with the father's old footsteps. His father's once omnipotent power will gradually decline, and the world in front of the boy will gradually change from Iron Man across the sky to intrigue and slander. One day you will say 'It's fine. Innocent people can't afford me.' In this film, professionalism is the most profound skill taught by fathers to children to walk alone.
Most fathers will have such an image, governing a place called the hometown with the majesty of the head of the family. Where time is slow and everything is the same as before, there are childhood childhood sweethearts, old photos, old shirts and good brothers. There is still a whole childhood hidden there, only my father is aging nonstop. I think this is the highlight of the script. It is easy to resonate by placing the continuous father-son relationship in a specific time and space. However, when the climax of the court trial explained that his father's image in his hometown was facing a crisis, the intentional blank space after that always made people feel that they were underexplained. Another highlight is that the similarities between father and son are well portrayed. After so many love and killings, they finally grow into a look similar to him. When Downey said arrogantly to the doctor, "correct, I'm not a pleasant person", she was exactly like Dad. Of course, what impressed me the most was the fierce quarrel that the tornado descended. Like an angry girlfriend, Downey turned over old accounts one by one from the deepest memory in chronological order, and used the most violent words without mercy to ask the old man who was staggering and thinning in front of him. To get a concise and powerful "YOU ARE WELCOME." I think it is much better than the rigid echo of the previous lines on the fishing boat at the end. Of course, the final epilogue sums up the stylistic positioning of the whole work well: no breakthrough but excellent quality. It's better than the norm, but it's far from eye-catching. I have to say that Downey chose such a movie to try to get rid of Pepper's entanglement with Captain America. It's a safe and smart choice. Of course, even so, according to Shaw's classification, Donnie would still be considered by me to be a good character star rather than an actor star. The film is slow-paced, like the Christmas special of a British drama, or the earlier realistic novels by writers like Kazuo Ishiguro (suddenly reminiscent of the housekeeper father and son in "Scars of the Day", exactly the same), It doesn't pay attention to the ingenuity of the narrative, but the plot is exquisite and the characters are full. Queen B's role is a bit cumbersome, but it does add a lot of color, and the powerful aura of the villain of Ice Blood is just right. Each character has a clear and real character, and together they outline the only hometown that is strange and friendly in the distance.
There were occasional tears during the viewing, but at first I was lazy and didn't want to write a comment. Until I heard sung by "Shuhuan" just now, my face suddenly burst into tears. I really miss the days when I was driven in the back seat of my dad's bicycle, but I was told on the phone two days ago that I went to a Chinese medicine massage for a long time with a herniated lumbar disc. My father is the youngest among my peers, so I have always had the illusion that my father is always high-spirited and I can do whatever I want. But I know that my growth rate is always lagging behind. Slow down, I haven't become the one he's most proud of.

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