"Red River" in Western Cursive

Samara 2022-01-26 08:44:49

"Red River" is Howard W. Hawks's 1948 film and one of Hawks' two most successful westerns (the other being "The Bloody Dragon"). The director who laid the foundation of the Hollywood gangster film (the 1932 version of "Scarface") is talented and has injected a different vitality into this film, which continues the classic tradition of the West, and has a long history of filming. The film is majestic and exciting. It not only shows the magnificence of nature, but also reproduces a historical fact that the pioneers of the west will never forget. In this long history, reflections on war and human nature are integrated. It is no wonder that Western films Godfather John Ford also praised it well.
The story tells the story of a cowboy who left his lover, his old buddy and his adopted son who took in on the road. Together, they built their own ranch from scratch. After the Civil War, the southern economy was depressed, and 14 years of hard work were seen to be in vain. Unwilling, he led a group of people who were willing to partner, and drove nearly 10,000 cattle to the north for sale. He encountered difficulties and obstacles along the way, and the difficulties were also increasing day by day, as well as his domineering and isolated character, which eventually led to the betrayal of the family, and the leader was the adopted son who was born out of blue. The old cowboy vows revenge, and so begins the chase and being chased. But in the end, in the face of the facts and his innermost feelings, the old cowboy compromised... The
story was gentle but the undercurrent was turbulent, the results were predictable but ups and downs, it was easy for the audience to feel a sense of substitution, and their hearts moved... Wayne is like the incarnation of an old cowboy. From appearance to temperament, he comes from the same mold. A person with strong principles can easily go too far in stubbornness, but we can understand and even cherish this kind of person, except for his own charm. In addition, because we know that he has experienced the blow of losing his lover, he is ashamed but never expresses it, until he meets the girl who said the same thing as the deceased lover (the adopted son's lover), we can feel this. A stubborn heart begins to soften. It was only the principle that forced him to explain to himself, so there was the final hand-to-hand fight, and the duel of the cowboy who gave up the gun meant reconciliation.
This is an atypical western, but at the same time has many elements of a classic western. Riding the horse and whipping the whip in the yellow sand of the desert, the fast gun duel with tense spirits, the western rule of the jungle. These things allow it to maintain the true character of the Western, and the play on this basis gives it the key to making it a classic. The structure of the story is complex but the presentation is clear, and the progress of the plot is closely related to the personalities of the characters. The contradictions no longer come from outside (such as Indians), nor are they good or evil, but internal conflicts of principles. It does not stick to the small western view, but starts from a big historical perspective, which not only reflects on the pain brought by the Civil War, but also evokes the collective memory of the western pioneers. Starting from a big way but starting from a small character, Hawks comes in and out freely, with ease. Although the film still has the obvious machismo flavor of traditional western films, it has begun to reflect (Wayne's macho character indirectly led to the death of his lover), and began to focus on the portrayal of female characters, especially the sexual The girl like fire also played a very important role in conflict resolution. It is also worth mentioning that in the film, the scene of the cattle rushing and crossing the Red River was shot in real scenes, which is majestic and cannot be replaced by modern digital technology.

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Extended Reading
  • Dora 2022-01-26 08:44:49

    When I watched it, the comparison in my head was "Seven Samurai", which was very old-fashioned (especially with a voice-over narrator). John Wayne's character is strong and ruthless. He grabs Mexican land and shoots when he starts a business, when he pulls a gun and shoots when he retreats from his subordinates, and when he faces the betrayal of his adopted son (by mistake), he shoots when he pulls a gun. The brute force of the game, and the geography behind the two is destined to be different on a spiritual level when compared with "Seven Samurai": the small Japanese archipelago cannot hold the voice of the samurai spirit, while the vast American West provides the cowboy with a freewheeling voice. The stage of life... This film also does a good job in echoing the background of the Civil War. In the era of waste waiting to be rebuilt, such a group of arrow characters who pioneered the territory appeared, which is also an annotation of the American spirit. In fact, the most interesting thing is the female image in the film. The father and son have similar experiences, but they get different results because they meet women with different spiritual temperament. There is room for discussion in the two dimensions of women and nationality. The details of the old assistant's dentures and adults with a sweet tooth are also interesting.

  • Sherwood 2022-03-24 09:03:35

    The spectacular scene of the cattle crossing the Red River is the climax of the whole film, and Hawks' dispatch is really awesome. Expanding territory in the vast west is the life stage for American cowboys to act recklessly, and it is also a commentary on the spirit of American cowboys

Red River quotes

  • [Groot loses his false teeth to Quo in a poker game]

    Groot Nadine: Now wait a minute, Quo. You really ain't gonna take a man's only set of teeth, are you?

    Quo: Uh huh.

    Groot Nadine: Yeah, but I gotta use 'em for eating!

    Quo: Come grub, you get 'em.

    Groot Nadine: What are you gonna do with 'em.

    Quo: My name now Two Jaw Quo.

    Groot Nadine: Two Jaw Quo. That's what I get for playing with an injun.

  • [Groot complains about the dust]

    Groot Nadine: Bet I ate ten pounds in the last sixteen days. Before this shenanigan is over, I'll probably eat enough land to incorporate me in the Union. The state of Groot.