"Red River" in Western Cursive

Samara 2022-01-26 08:44:49

"Red River" is Howard W. Hawks's 1948 film and one of Hawks' two most successful westerns (the other being "The Bloody Dragon"). The director who laid the foundation of the Hollywood gangster film (the 1932 version of "Scarface") is talented and has injected a different vitality into this film, which continues the classic tradition of the West, and has a long history of filming. The film is majestic and exciting. It not only shows the magnificence of nature, but also reproduces a historical fact that the pioneers of the west will never forget. In this long history, reflections on war and human nature are integrated. It is no wonder that Western films Godfather John Ford also praised it well.
The story tells the story of a cowboy who left his lover, his old buddy and his adopted son who took in on the road. Together, they built their own ranch from scratch. After the Civil War, the southern economy was depressed, and 14 years of hard work were seen to be in vain. Unwilling, he led a group of people who were willing to partner, and drove nearly 10,000 cattle to the north for sale. He encountered difficulties and obstacles along the way, and the difficulties were also increasing day by day, as well as his domineering and isolated character, which eventually led to the betrayal of the family, and the leader was the adopted son who was born out of blue. The old cowboy vows revenge, and so begins the chase and being chased. But in the end, in the face of the facts and his innermost feelings, the old cowboy compromised... The
story was gentle but the undercurrent was turbulent, the results were predictable but ups and downs, it was easy for the audience to feel a sense of substitution, and their hearts moved... Wayne is like the incarnation of an old cowboy. From appearance to temperament, he comes from the same mold. A person with strong principles can easily go too far in stubbornness, but we can understand and even cherish this kind of person, except for his own charm. In addition, because we know that he has experienced the blow of losing his lover, he is ashamed but never expresses it, until he meets the girl who said the same thing as the deceased lover (the adopted son's lover), we can feel this. A stubborn heart begins to soften. It was only the principle that forced him to explain to himself, so there was the final hand-to-hand fight, and the duel of the cowboy who gave up the gun meant reconciliation.
This is an atypical western, but at the same time has many elements of a classic western. Riding the horse and whipping the whip in the yellow sand of the desert, the fast gun duel with tense spirits, the western rule of the jungle. These things allow it to maintain the true character of the Western, and the play on this basis gives it the key to making it a classic. The structure of the story is complex but the presentation is clear, and the progress of the plot is closely related to the personalities of the characters. The contradictions no longer come from outside (such as Indians), nor are they good or evil, but internal conflicts of principles. It does not stick to the small western view, but starts from a big historical perspective, which not only reflects on the pain brought by the Civil War, but also evokes the collective memory of the western pioneers. Starting from a big way but starting from a small character, Hawks comes in and out freely, with ease. Although the film still has the obvious machismo flavor of traditional western films, it has begun to reflect (Wayne's macho character indirectly led to the death of his lover), and began to focus on the portrayal of female characters, especially the sexual The girl like fire also played a very important role in conflict resolution. It is also worth mentioning that in the film, the scene of the cattle rushing and crossing the Red River was shot in real scenes, which is majestic and cannot be replaced by modern digital technology.

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Extended Reading
  • Alford 2022-03-18 09:01:08

    The western legend of the father and son's fake face and true love, the confrontation between the old and the old west and the rise of female power in the succession, the cowboy sentiment sings all the way, the momentum is like a rainbow, and the unpretentious details are also included. The loneliness secreted by hormones makes the same-sex hints that play with guns and meet eyes emerge, but it is regrettable that the ending of some characters is too hasty.

  • Lue 2022-04-22 07:01:53

    Hawks' way of impairing the connection between perception and movement is to keep the characters as slow as possible to think. Matt said, "It happened so fast." With the emergencies that followed, the characters couldn't even calmly come up with a solution that would have the best of both worlds, so at that moment (Honor intended to hang the defector), Matt subconsciously The act of resistance was undoubtedly the right move in Hawks' view. Time is passing irreversibly, and the relationship between people is not fixed. In an unobstructed view of all kinds of scenes, but in a fleeting environment that cannot be distracted, there is no obvious order of thinking and action of characters. It is synchronous, "thinking while doing". Topological distortion, the two are almost overlapping and intertwined. It is difficult to estimate the damage caused by the causal relationship between people's habit of receiving information first and then responding. How else are we to explain the comedic ending: just as the audience was eagerly anticipating a duel, the heroine instead pointed a gun at two scruffy cowboys on the ground and exposed their "pseudo-duel" trick in person.

Red River quotes

  • Sims Reeves: Well, I don't like to see things goin' good or bad. I like 'em in between.

  • Thomas Dunson: Take 'em to Missouri, Matt!