Not a feminist film, but a wake-up call to the feminist movement

Kamille 2022-03-24 09:01:13

We used to have a slogan: "Women can hold up half of the sky". This slogan is very old. The word used is "Yes." It means that it did not exist at the time, and it should be half of it. At least, it is impossible to admit that physiological reality determines that it is impossible to be irrational. He uses contemporary male power to repay the suffering that has been suppressed for thousands of years. "The Devil Wearing PRADA" is an out-and-out chick movie from the traditional division, but it is more noticeable than the previous chick movies. Among them, in addition to the dazzling fashion pictures and exciting and fun work shots, as well as the traditional "chicken soup, "wearing" that is full of spiritual chicken soup meaning struggle and returning to oneself, it also includes two unique in the little girl movie The distinctive concept, or symbol, is feminine consciousness (feminist consciousness) and its collision with the family.
From the beginning of the film three minutes, we can notice that Andy and other girls working in "Skybridge" magazine The difference between them is the contrast in attitudes towards clothing (and even underwear) and makeup. The potential difference is that Andy has more "family" colors. And this family color, or the lack of female roles, is regardless of Miranda It is also the source of Andy’s conflicts in life.
We are always used to weakening the achievements of women, which has successively affected every successful woman. Even we subtly use the theory of leader traits and believe that women’s achievements must be derived from her. Having the traits of a male leader seems to be conceptual inequality. But we can also notice that at the level of female roles, at least in female family role-playing, even if you can use your own resources to replace yourself (Andy was used by Miranda to do things for his daughter several times), but still can’t escape the situation of career success and family failure. It is undeniable that with the development of society, although blue-collar women On the contrary, the proportion of women in white-collar jobs is steadily increasing. The pair of white-collar beauties composed of female reporters, female lawyers, female professors, female managers, etc. has almost become a symbol of the new middle class. Maybe female His spiritual determination, affinity, sensitivity and work endurance are more adapted to the trend of social division of labor in which labor intensity is reduced and work specialization is increased in modern society. The contrast between the strengths and weaknesses of men and women in professional competition is undergoing some subtle changes.
Here is a set of data. In developed countries, the labor force participation rate of women is less than 60%, that of Hong Kong and Taiwan is 46%, while that of mainland China is as high as over 80%. This is also true of many developing countries. There are also statistics showing that women in many countries receive higher education. The proportion of women is much higher than that of men. However, among those who have received higher education, the actual employment and social work rate (here refers to the long-term, the situation that will not give up long-term work due to marriage and other factors) is still lower than that of men. This data not only means that for a developing economy, the emancipation of ideas and the needs of social development have led to the continuous leap of women, but also reflects the fact that the role of women in the family structure in social life is on a large scale. .
The end of the film is very interesting. On the one hand, the heroine Andy gave up the fashion industry and chose to return to herself. To blame for it, in addition to the antipathy among the fashion industry, it is more Andy's inability to part with the role of the family. After Andy’s work is on track, almost all conflicts stemmed from the conflicts between family roles and social work roles. Andy’s social roles with his father, Andy’s boyfriends and friends, and Andy’s social roles are due to " The “Book Release” incident invaded Miranda’s family roles, and these significant conflicts all showed the sense of conflict and contradiction between white-collar women’s social roles and family roles. On the one hand, both physically and psychologically, women’s concern for family seems to be innate and far exceeds that of men. This is almost independent of any cultural or ethnic influence, and it is even more obvious. However, it seems that it is extremely difficult for men to replace women’s family roles. This seems to be deeply rooted in the animal nature of human beings. Even in matrilineal society, women are the dominant powers, but women still assume most of the family roles; On the other hand, along with social development, women’s gender characteristics have met the work needs of more social development, leading to a series of problems such as weak family structure and family education.
In recent years, in addition to film works, we have observed that many TV drama works have also touched this topic inadvertently, from "Struggle" to "My Youth Who Is the Master", and then to "Marriage" which directly touches this topic. "Defense Station", almost without exception, presents the potential form of strong women and weak men. In society, boys with women’s mental determination, affinity, sensitivity, and work stamina are more popular at work, while the embarrassing phenomenon that traditional boys are only welcomed by "mothers-in-law" requires us to be more aware of social development. Considering the role-playing, should women return to the family to undertake the same important family and education work? How to guide the difference between gender needs and family gender role-playing is worth exploring.
"Faust" tells people to bet with the devil, and the unsatisfied Faust finally becomes a prisoner of the devil. Its last two sentences are very interesting. Guo Moruo's translation is "great women, lead us to go".
Now, many leaders in the world have been replaced by ladies, Hillary Clinton, and Merkel.
The question is, where do they lead us?

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Extended Reading
  • Hoyt 2022-03-23 09:01:12

    In the process of pursuing your dreams, can you keep your original self? Although the heroine finally realized that she was lost, is giving up really the best way back to the original?

  • Zack 2022-03-25 09:01:05

    You have betrayed your soul, from the moment you put on that pair of jimmy choo.

The Devil Wears Prada quotes

  • Jocelyn: [holding up two belts] It's a tough call. They're so different.

    [Andy sniggers; everyone in the room turns and stares at her]

    Miranda Priestly: Something funny?

    Andy Sachs: No. No, no, nothing's... You know, it's just that both those belts look exactly the same to me. You know, I'm still learning about this stuff and, uh...

    Miranda Priestly: "This stuff"? Oh. Okay. I see. You think this has nothing to do with you. You go to your closet and you select, I don't know, that... lumpy blue sweater, for instance, because you're trying to tell the world that you take yourself too seriously to care about what you put on your back. But what you don't know is that that sweater is not just blue, it's not turquoise, it's not lapis. It's actually cerulean. And you're also blithely unaware of the fact that in 2002, Oscar de la Renta did a collection of cerulean gowns. And then I think it was Yves Saint Laurent, wasn't it, who showed cerulean military jackets? I think we need a jacket here. And then cerulean quickly showed up in the collections of eight different designers. And then it, uh, filtered down through the department stores, and then trickled on down into some tragic Casual Corner where you, no doubt, fished it out of some clearance bin. However, that blue represents millions of dollars and countless jobs, and it's sort of comical how you think that you've made a choice that exempts you from the fashion industry when, in fact, you're wearing the sweater that was selected for you by the people in this room, from a pile of "stuff".

  • Andy Sachs: [thinking she is about to be fired] Miranda, about last night. I'm...

    Miranda Priestly: I need the new Harry Potter book for the twins.

    Andy Sachs: [relieved] Okay. Okay. I'll go down to Barnes and Noble right now.

    Miranda Priestly: [rolling her eyes] Did you fall down and smack your little head on the pavement?

    Andy Sachs: Not that I can recall.

    Miranda Priestly: We have all the published Harry Potter books. The twins want to know what happens next.

    Andy Sachs: [realizing with dread] You want the unpublished manuscript.

    Miranda Priestly: [baiting] Well, we know everyone in publishing, so it shouldn't be a problem, should it? And you can do anything. Right?