I've watched the film less director, don't lie to me like this QAQ
Mrs. Lafayette, God bless her soul, I don't know how to think of her elegant novels being adapted like this.
The plot of the film, especially in expressing the heroine's intelligence and agility, is really lacking and blank. It seems that there is no other attractive place except for the beautiful heroine, not to mention Melanie (maybe it is my aesthetic problem?) There is no face that matches the lines that praise her beauty, which makes it a little difficult to see the male protagonists bowing down to her pomegranate skirt one by one inexplicably.
As for other plots, such as transitions, such as the main plot, it has to be said that the handling is really a bit weak. I wonder if people who don’t understand religious warfare can understand the conflicts of interest and love and hate behind the various protagonists. hatred.
There are also some plot scenes, which feel a little redundant, so I have to feel it again, ah, the Frenchman's mind is really hard to guess. Some of the episodes I can't remember, but the feeling is still there at the time, and that is: why this part was not cut and why this part was filmed.
But the shots and ideas that express the style of that era are still good, and they are handled quite naturally. On the wedding night, the two leaders went from the calm and solemn atmosphere on the chessboard to the sneering Yanyan after seeing the fall, the unspoken meaning of the old man's marriage, the residence of the master and the servant, the local noble castle and the royal castle. The difference, crowded palace banquets, etc., are very interesting to watch.
To be honest, I don't feel at all where the human thinking is in this film, from the quite "philosophical" dialogue between the Count of Chabannes and the princess? Or the irony implied by the court's obsession with astrology? Or the era pointed out by the contrasting differences between several male protagonists? Or is it the touching characteristics of the new women of the era shown in the heroine who dares to love and hate the pursuit of freedom?
What about the Princess Clive type character? Why am I seeing an American hot girl? Isn't that no zuo no die why you try? The director's idea is a little weird, sorry, I don't understand why Marie is so obsessed with Guise. Even though she is provoked by the scheming man of the Duke of Anjou (pointed out), she is still so affectionate. Still determined to go to Guice, why why why? Is it because my emotional world is so empty that I can't feel the deep bond between Mary and Keith?
Don't say that because Mary has read and written poetry, her vision has broadened, and she has become more thoughtful. The scumbag or the men who love her and her are destined to not be together. Only Guise, ah, childhood sweetheart Guise, their feelings can be rendered so tragic, ironic and dramatic! Hehe, I am afraid that I can be a wonderful person who can fall in love with my male students who are somewhat ambiguous in junior high and high school in minutes (there should be a doge expression here). You simply do not understand how seductive and intoxicating doge the ambiguity of your childhood reading period is. So much so that even after the marriage of interests, he still has no intention of forgetting that even if the other party deceives and cheats, he will take the risk of breaking up and separating from his husband to ask "why".
In short, I can't understand Mary's mental process and emotional routine. Maybe that's what the director got people thinking about? Ah, feelings, so wonderful.
In fact, this is clearly the story of an unseen Mary Sue (doge), which has educational significance to warn young girls and married women not to be too pretentious, and can be regarded as a model for modern women's films.
Oh, the director of the story of the Count of Chabannes is very good, and the characters are relatively full. It would be better if there is no such a sudden "je vous aime madame".
If it wasn't for Raphael Personaz, who played the Duke of Anjou, I wouldn't have seen the end of the film and wrote such a bunch of nonsense.
At the end of the film, there is a feeling of "it seems that the birds are thrown into the forest after eating, and the white land is really clean", which is very beautiful.
It's an eye-opener to see the huge budget for this film. I guess this budget is used for war scenes (the domestic film XX County's black force level), costumes, and rental castles.
Actually, this is a piece of shit.
The last thought is: Director, can you spend your budget on me?
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