I really can't stand it. You are holding 1 black 2 like this

Sigrid 2022-03-21 09:01:46

As of today, I have brushed 2D once and 3D twice, and I will probably brush 3D for the third time in the next file. I watched the first one many years ago, the classic black, white and red main colors, the sharp editing, the profound and chewy lines, and the bursting feeling of the wind and rain deeply shocked me when I was young at that time. The plot of revenge, defense, and uncle Loli's year-end love is normal to me. The men and women in it pick up guys and start fighting. Headshots, broken heads, and limbs are obviously more to my taste. For me, this year's review of The Economist's 2 for 2 fits perfectly with 1: Lack in Substance, situation over content.

The title of the second part has become longer called A Dame to Kill For, which is taken from a Frank Miller comic, and the paragraph-style narrative clearly focuses on Eva Green's part. Marv said to Dwight I hope you don' t mind me saying this, but there's a dame to kill for. There are still several three-dimensional presentations of the theme of Sin city, Jessica Alba's part followed by the first part is still decadent and revenge on the premise of the police uncle flashing back from time to time, but unfortunately there is no Only the vest line and the showy dance attract me. California Sweetie is obviously still suitable for the sweet route, rather than hard and bitter, especially in the second part, which is a tragic clue, lacking room to play, and most fatally, Eva Green steals the show.

Everyone is complaining about the part about Jon Joseph. The reason is that it is completely unnecessary and incompatible with other paragraphs. I don't think so. Some people's existence is to prefer to bloom in an instant like fireworks. The disciple also said, I defeated you twice, and this story will be passed down while you are alive, and will be passed down after you die. A desperate gambler for self-respect and a sense of achievement, how well it fits the life of Sin City. No need to be rational, no need to weigh the pros and cons, don't leave the castle in a normal state, not afraid of running out of firewood, just to instantly sublime, enjoy Hold'em Poker All-in and then humiliate the same confident All-in with Biggest Chip Winner The pleasure of the opponent, as for whether it is alive or dead, Who Cares? Everyone thinks the ending of Joseph is ridiculous, because of Nothing acheived, after all, the handsome young man with wisdom and courage fell in front of the powerful rogue, but when he succeeded in angering the big boss who had been calm before , he has already won, this is the meaning, there is no need to prove how much money he won or a life saved in a desperate situation.

Femme Fatale, played by Eva Green, is 100% evil in her own words. Obviously, considering all the paragraphs in 1 and 2, I like this one the most. Apart from my own love for Eva, the story has the most texture. Eva plays the ruthless and poisonous woman Ava Lord who hurts her old love and then works hard to marry a rich man, but uses her old love Dwight to kill her rich husband (the actor is Eva's real-life boyfriend from 2005 to 2009). Gaining a fortune, then confounding the police, and convincing officials to take down Old Town, is nothing more than rhetoric and flesh-and-blood cannonballs. The most intuitive thing is that she took it off. It's very simple. Looking at Eva Green's slender waist and big breasts with 3D eyes is extremely visually impactful, extremely. Without her naked appearance, the box office would be even more ugly. And I want to praise the stylist, because green eyes and red lips do add a lot of points. Eva's face and facial features have a man's temperament. Such a decoration looks sharper.

Apparently Ava is a feminist. In several scenes with Dwight, she not only pursues the dominance of the bed, but even when designing traps to show weakness, she is in the upper hand of the dialogue. The reason is very simple, she is determined to be cold-blooded and can For the sake of profit, men are always just to clear obstacles and achieve their own bargaining chips for her. But in fact she and Dwight are special to each other. Ava to Dwight is a person who can throw away his reason and go through fire and water. They had a good time before, but Dwight did not have enough financial resources to support her extravagant life pursuit. To Ava, Dwight is a person who can be presumptuous without restraint. She can play with it in order to confuse the lecherous police, because she has to completely put down her body and disguise herself to cater. But for Dwight, she has the confidence to play with Dwight in the palm of her hand, relying on the fact that she knows Dwight still loves her, and she also gives back the energy that can make Dwight emotionally resonate. She is not a body that is so bad that you can't see it at all. Sin City's characterizations are all three-dimensional and can be seamlessly substituted. As for her no zuo no die, before she killed herself, the last time she showed weakness and begged Dwight for mercy, it was 100% begging for mercy, because she had gone too far.

In addition to praising the bloody, violent erotica of the Sin City series, I must strongly praise Eva Green's fine tradition of showing her breasts when making movies. Hollywood should attract more and more European actresses who have a great body and dare to devote themselves to art. Ah, it feels like Native American actresses are shy about nudity.

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Extended Reading

Sin City: A Dame to Kill For quotes

  • Kroenig: [injecting his arm with heroin] Steady as a rock.

  • Dwight McCarthy: She owns me. Body and soul.