Anton died, and Milo experienced another child loss. For a father, going through the pain of losing a child twice doesn't know what it's like. From Milo's face, we can't see the expression. I am afraid that as a father, at this moment, he is completely desperate. Fate is as unavoidable as reincarnation, and the day when the tip of a knife licks blood must be accompanied by death.
Alotti gave birth to a son, and Milo gained hope again. When the child grows up, will he inherit the status left to him by his grandfather, or the freedom left to him by his father?
Although the film is a police and bandit movie, it does not have the fancy camera splicing in American police and bandit movies, nor does it have shocking and fast sound effects; there are only simple cameras, editing and almost original sound recordings. Focusing on acting skills and not relying on post-editing, it seems that the romantic French people are definitely much more reliable in artistic creation than their industrial products.
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