The first time I watched this film was probably more than ten years ago. I was a little tired when I saw that the original work was Koji Suzuki, because I fell asleep while watching The Midnight Ring...
Later I found out that the original work of Midnight Ring is better than the movie. Wonderful N times. And this dark underwater, the movie is more exciting than the original.
Of course, it's a bit unfair to say that. The original work was a short story. After finding something wrong, Matsubara Shumei wondered what kind of scene might be in the cistern on the roof, and then made up her own water for cooking. The water used for barley tea and the water directly taken from the water pipe are so nutritious, almost collapsed, and immediately moved with my daughter overnight, the story ends here, not scary but a little uncomfortable... ...the
movie version is just a smooth sailing to make up for the horror scenes. The film is considered antique, and spoilers are boring, so I won't go into details.
In fact, I am more tired of the "meaningless" hysteria of women in Japanese horror after sensitively discovering anomalies.
This film is quite depressing, with divorced women and ignorant young girls stumbling around in the patriarchal society, almost all of them are not so friendly eyes. No one will take care of her because she is divorced and bring a child. Lawyers scientifically and coldly use the parent's economic and mental status as a benchmark for the attribution of children - not to say that there is anything wrong, but this stylized approach makes me Unhappy. Even the strangeness upstairs was finally taken seriously under the interference of another man.
...Ah, this man is the light of the male image in this show.
It was also when I was being fucked by night shift work that I remembered to find a horror movie to watch to change my mood. I found out that the lawyer who played the role of the lawyer who helped Matsubara Shumi was actually Ogi Shigemitsu - I saw him posing with a Ichikura Masahiro's face in "Where the hell are you from Muroi" in the deputy search, burst out laughing all of a sudden!
But Xiao Musang's role this time is quite loving, helping the woman who was crying to break down to soothe her mood and sort out her logic, and also made coffee for her - "I'm sorry that the secretary is not here today, so it may be a bit bitter" - and later, she was even more worried about visiting the house , it turned out that the greatly stimulated Songyuan was packing and preparing to move. The first reaction was to appease and tell her interests, help her go upstairs to check the situation, and blame the sturdy administrator... Finally, I went to climb the water tower myself. Oh, it's a pity that the administrator got angry and came down halfway through the climb, or maybe the truth will be discovered...
So I can't help but think, if Mr. Lawyer hasn't gotten married yet, you can marry him, Miss Matsubara...
Cough, the above is the flower crazy.
Speaking of which, the horror of this film is limited, but the final parting and death is quite tear-jerking. I always feel that the little girl may not be able to understand the painstaking efforts of her mother at that age, and her tears are half anxious and half grievances. When she grows up and can understand her mother's painstaking efforts, the environment that induced the painstaking efforts is blurred in her memory. Every one of us who may have had a childhood supernatural experience has forgotten it in the process of growing up...?
Reality is always more terrifying than pure supernatural. If it wasn't for Matsubara's firm refusal, the grown-up Ikuko might choose the former between sharing his mother with ghosts and living in a new family with his father.
Mom is always watching over me somewhere.
Depression with a bright ending is my hobby.
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