Later, during the boarding section, the emotional contradictions of anxiety reached their peak. With the perfect lens language, the audience can unknowingly follow the hero's emotions, anxious and unsettled. In the end, the real dream mirror made the hero escape from the plane emotionally. The result was like a dream, and the plane exploded.
Then a series of murders designed by the god of death happened. I really admire the director and screenwriter. They can create an atmosphere and let the audience follow the feeling of the camera. They are so talented. Mobilize the audience's emotions at the critical moment and give the audience an unexpected blow.
In this film, I paid more attention to the movement of the camera, but when I watched it, I forgot all the crap language of the camera, and just focused on the development of the story.
The first plot point happened when the male protagonist foresaw the explosion of the plane, but I couldn't find the second plot point. Did the male protagonist discover that death can be designed? rather vague.
This is definitely a masterpiece that I watched the beginning but didn't know the end, and then I wanted to continue watching it at the end.
What surprised me most was the scene where the boy was turned around by a piece of iron on the train.
PS: The director is of Chinese descent. Chinese directors are still good! ! ! After arriving in the United States
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