View more about Rome, Open City reviews
Par André Chastel
Lois 2022-09-11 06:27:26
....Par exemple dans Rome ville ouverte qui était un beau film un film assez étonnant du grand moment du cinéma italien Je ai beaucoup admiré abord parce il était italien et que retrouvais toute cette tendresse humaine qui est italienne enfin que on ressent beaucoup en Italie et puis cause des astuces des finesses de composition Là ai compris importance des gestes secondaires pendant que attention était fixée sur un groupe sur une discussion autres gens côté faisaient quelque chose Il avait des gestes accompagnement qui normalement entrent que dans le subconscient du spectateur parce il ne peut pas tout embrasser la fois avec précision Et cela avait beaucoup frappé Les Italiens le pratiquent avec force mais est dans art ancien constamment Si vous prenez les Carrache ou si vous prenez tous ceux qui ont fait de grandes compositions peintes vous trouveztoujours des figures secondaires que vous ne découvrez la faveur un travelling est-à-dire en parcourant image une certaine manière Bref ceci pour indiquer est un exemple très simple il un grand pour nous pour analyse visuelle tirer de cette prédominance de cette invasion si redoutable profit de image filmée. - Revue de L'Art, Entretien avec André Chastel, 1991
Extended Reading
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Russell 2022-06-13 21:02:22
①The script was thin and the characters were facialized ②The two statues in the handicraft store that looked at each other made the priest feel embarrassed no matter how they were placed ③After witnessing the shooting of the priest, the children left in grief and indignation. But people have ④ far-reaching influence on domestic red films, familiar formula, familiar taste
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Josefa 2022-06-13 20:16:05
War is cruel! It was not easy to live in those days! A ruthless woman who betrayed her boyfriend for a coat!
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Major Bergman: I've a man who must talk before dawn and a priest who is praying for him. He'll talk
Hartman: And if not?
Major Bergman: Ridiculous.
Hartman: And if not?
Major Bergman: Then it would mean an Italian is worth as much as a German. It would mean there is no difference in the blood of a slave race and a master race. And no reason for this war.
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Hartman: 25 years ago, I commanded firing squads in France. I was a young officer. I believed then, too, in a German "master-race." But the French patriots also died without talking. We Germans simply refuse to believe that people want to be free.
Major Bergman: [Taken aback] You're drunk, Hartman!
Hartman: Yes, I'm drunk... I get drunk every night to forget. It doesn't help. We can't get anywhere but kill, kill, kill! We have sown Europe with corpses... and from those graves rises an incredible hate... HATE!... everywhere hate! We are being consumed by hatred... without hope.
Major Bergman: [Incensed] Enough!
Hartman: We will all die... without hope...
Major Bergman: [Fuming at Hartman, to no avail] I forbid you to continue!
Hartman: [Ignoring Major Bergman] ... without hope.
Major Bergman: You forget you're a German officer!
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