The director's completion of these three aspects is not satisfactory, especially in the script material, which makes people feel the far-fetched psychological change of the role. The progress of the story is not fascinating and there are several faults that are not well connected, and there are quite a few urine spots in the meantime.
Wenxi has its own unique literary style, but the slow narrative rhythm is a bit different from its own genre. The action is the highlight. The layout has been enlarged, but there is no surprise in the scheduling and action arrangement of the scene. At the clock tower, the place to test the action arrangement, I was looking forward to the stage of fighting against the little green devil. Finally, the little green devil I was surprised by the hasty defeat. Its action arrangement and grasp of tight and loose rhythm are completely defeated by the old version, but there are two points that are worthy of recognition: the rendering of photoelectric special effects and the panning of slow-motion capture. Where is the battle against the electric light man on the power grid? The vocal music and the picture are well blended, and the rhythm is full. The electro-sound processing of the electro-optical man combined with the rock music in the background is more like a vocal feast. I like Dianguangren's suite very much, and I deserve it from Brother Lonely. There is also a good expression of the performance of the cartoon restoration of Little Spider-Man and Gwen's first love emotion. There is no lack of humorous clips in this film, which is also a surprise!
Gwen's speech in the opening is full of positive energy, but it will inevitably be distracting because it is advancing in sync with the spider's hindrance. I think the speech here can be left blank appropriately after Gwen's death, so that the energy transmission of the speech will be more moving. Like the first film, there is also a switch between the main and the guest shots, but this time the subjective shots are not as shocking as the first-person perspective, and the display of the lower abdomen shots (someone complains about the camera) is not a big surprise. Hovering in all kinds of cool poses in the air makes people boil. The overhead shots of the free-falling objects at the height of the building are also shocking, which well reflects the magnificent depth of the space. In short, this is a big visual film that is necessary to go to the theater to watch. Combined with self-viewing experience, give it a score of 7.6.
Both China Giant Screen and IMAX have watched and briefly talked about the difference in viewing movies between the two! Both the brightness and the three-dimensional effect are indeed better than the Chinese giant screen. Especially in the three-dimensional sense. The subtitles of the dialogue scene between the two are well interspersed between the two, which is better than the giant screen of death. The screen output effect is also better than that of the giant screen. The three moles on Sister Stone’s face can be seen in the IMAX clarity, but the giant screen requires careful observation to see. The disadvantage of IMAX is that shaking your head has ghost images and it is easy to blur and feel out of focus. Maintaining a posture for a long time will definitely increase the degree of fatigue, and the performance of the giant screen is very stable. There is a certain gap in sound effects but not much. In general, IMAX is a higher grade, but the gap is not very big.
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