Before watching the movie, I was attracted by the poster, and after watching it, I was stubbornly held by the emotion and couldn't get rid of it.
If the American films are about being strong and utterly venting to the end, the British are more serious. Especially the works under the mantle of British neorealism, the emotional valve was not completely turned off until the last moment.
The actors of Tyrannosaurus are all horns, they can hold it in and let go, but the fire is not in place. The change of expression from the beginning to the end has stabilized the breath, which is one of the most embarrassing places for me after watching the film.
The film is not complicated, it is nothing more than about the cycle of violence and the powerlessness of people in the violence. Just like the metaphor of the poster, violence is hidden in everyone's heart. The difference is that some are bred to explode, and some are silently suppressed.
The original sound is also very good. What's even more surprising is that the film made me know Peter Mullan, a good actor who looks like an old white, and the director talent of Paddy Considine. I will follow them later~
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