The following parts are free to spit out + spoilers to the end, please turn them down carefully.
From the beginning of Gwen's graduation speech, I felt as if the death flag was erected. People who have never read the comics were shocked when Gwen was really ready, and they even hoped that Peter would be at the present time and the camera would be swept over so that we could see that the head of the tomb was under another name. It's a pity that this lunch didn't come out. My significant other gave me an emergency remedial lesson. It was said in the comic that Peter broke her spine while putting spider silk to prevent Gwen from falling from the bridge. This way, it looks like the death of Gwen’s sister in the movie when she bounced on the ground. It's kinder to the little spider. In fact, the most heartbreaking scene in the first movie was Gwen’s police father’s lunch. The purpose of co-authoring this family is to sacrifice himself to make Little Spider a better superhero. In terms of plot and narrative, I can understand why this kind of bridge is needed, but I still think that the supporting characters are too unworthy to die. People who don't have the protagonist's halo protector are too pitiful and convenient to live and die. From a certain point of view, I think this is lazy writing. The dead relatives understand the meaning, which makes sense, but it is too cliché. In real life, I have indeed heard someone say that his friend was seriously ill and passed away. In his last days, that friend made him think about a lot of questions he hadn’t thought about, and learned a lot of the truth in life, so he thought that maybe it was God’s. Plan, the death of his friend is also meaningful. I really want to slap him after hearing this. Why does your friend have to die for your meaning? The children of others, the future responsible adults, and the dust in the future, in what way are you more noble than your friends? This kind of logic is a kind of logic that allows me to get what I have learned. To some extent, it seems a little arrogant. Even if the protagonist is a superhero, it's still a bit unreasonable.
Of course, everyone dies, especially the characters in fictional works, so don’t be too entangled in the question of life and death. But some people died more severely than Mount Tai, and some died lighter than a feather. After Gwen proclaimed "This is my choice" heroically, the ending was as a liability in the fight. I don't think it can be swallowed. I would rather her because she smashed a gear on Harry's head and then fell to death in the fight. This may be a common problem with female characters in superhero works. Either it is the omnipotent sexy god of war like Black Widow Catwoman, or Gwen and Pepper occasionally open the plug-in for a second in order to promote the plot, but most of the time they let it. Man holding forehead vase. There is a lack of BAMF with shortcomings that the general audience can empathize with in female characters. Take the male character, for example, in Avengers, Agent Coulson appears as a quiet and fanatical Stalker most of the time, but the dying (?) scene is still full of heroism. Or, for example, Loki, although he is a destructive villain, there is enough backstory for the audience to empathize with him. Once on Tang I saw a fan author asking: If there are as many complicated and plump female characters as male characters in film and television literature, will there still be almost overwhelming female authors writing M/M in the slash circle? I really want to answer "no". I really hope to see the day when most female characters do not just appear as auxiliary characters to promote the plot. Maybe there will be more kids who think that superhero is a career choice for boys and girls.
There are still some trivial things that I want to complain about, just say:
-My friends in biomedical sciences think: venom is a protein, no matter how you add DNA, it will not only work for people in a specific family. science. My physics friend's impression is: what is meant by adding a magnetic field to the battery to charge it, this is unscientific. Why not connect the entire power supply network to Electro, and then turn on the switch, so that the entire NYC consumes his power instantly, how convenient it is. . .
-The soundtrack feels rather average, nothing impresses me. The fight scene between Little Spider and Electro with the flickering NYC as the background didn't use dubstep to make me feel a little surprised, although I have passed the age when I think Dubstep can be considered music. . .
-Gwen's search for Max Dillon's interface on the company's computer really made me impatient. No high-tech company would use such inefficient search. I think it’s better for this scene to search for Max Dillon with more than ten or twenty results, and get caught while narrowing the scope. This also adds to the tragedy of Max’s bewilderment?
-My good friend Harry turned black so quickly. His father started to get sick when he was about the same age, and he seemed to have lived to 40 or 50 years old? Why is he so anxious about his time limit?
Alas, actually, just buy popcorn and watch the excitement.
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