Of course, apart from youth hormones, the focus of the sale of "The Amazing Spider-Man 2" is still the dazzling special effects. Although the proportions of action scenes and literary scenes are somewhat out of balance, compared to other superhero movies, the battle scenes are so stingy that the two-and-a-half-hour film length seems protracted and lengthy. However, relying on large-scale investment, extraordinary computer effects and wonderful action design, the film's several major duels are still wonderful, hearty, and brilliant fights make people hooked. The big villain electro-optical man itself is a shining existence of "bling bling", with avant-garde luminous design, classic frosted transparent skin, blood vessels faintly visible, a splash of electric light, crackling, sound and color, launching more than Times Square The ashes were gone, and even the whole of New York was dark. The image of Spider-Man walking through the jungle of New York's buildings has become a classic. The unique lens makes the audience feel very immersive, as if they are about to hear the screaming wind in their ears. Hansen Zimmer’s soundtrack is as outstanding as ever, with the partner of rapper Farrell Williams and electronic music, adding a touch of jumping agility to the grand melodies of the past, and it also complements the youthful temperament of the movie. With the bright tricks of picture and music, plus the invincible youthful handsome man and beautiful girl’s real investment in fake dramas, and the villain who is full of love with Spider-Man and is overly indulgence, several people are talking about it. There is no sense of existence, and the seemingly non-existent love, friendship and family affection are enough for the teenagers to chew the aftertaste and immerse themselves in it.
Under the glamour, it is the film's carelessness in character relationships, logical motives and plot extensions. Whether it is an electric man or a little green monster, the movie is trying to give the villain character a richer life experience, so as to prevent the opposition between good and evil from becoming ordinary, but this kind of effort is obviously hard to be called a success. The turning points of many key plots of the film are very abrupt. The villain does not look like a natural criminal as soon as he debuts, but just becomes an ugly middle-aged neurotic. As for the little green devil, the screenwriter seems to try to put a kind of ancient Greek style. The tragic temperament endows it, but what guides the antagonistic emotions of the characters in the entire plot is actually the best routine of "Korean dramas"-terminal illness-or family inheritance! The villains seem to have a sad and bitter story, and the audience can't bear to criticize them because of their bitterness. And they also have a common trait, that is, they love Spider-Man (or Peter Parker) madly, but think that they betrayed by imaginary anger and fight. The director just thought about how to make the Dianguang people shine and shine again, but completely ignored the plot full of unnecessary confrontation and anger, as if the enemy and us turned upside down in New York was just an emotional misunderstanding, so it doesn’t matter if the family is destroyed. . So every time the pre-war emotions are over, and when the two sides are fighting to death, I always hope to run out of a peacemaker like three aunts and six wives, and yell to both sides, everything is a misunderstanding, in fact, you love each other deeply! Then the misunderstanding was resolved, and the two sides turned their fights into jade, and everyone was happy, how wonderful it was. It’s a pity that things are counterproductive. The fight in the movie is more than fierce, and the emotions are always not fully released. The so-called hitting the enemy hurts my heart, a little misunderstanding, a few words can make it clear, there is neither the vengeance of subjugation, nor the killing. The father took the hatred of his wife, but he had to fight for his life.
Fortunately, the audience of superhero movies is so tolerant. No one expects every movie to be "The Dark Knight". The characters in the play can also automatically fill in their minds. They don’t care about the rationality and necessity of their behavior, as long as the action is taken. The scene is dazzling enough, it already feels worthwhile. What's more, the main thing the movie wants to conquer is the group of childish teenagers. Too complicated plots are often counterproductive, and over-designed characters and stories may not be appreciated. It is wise to spend more energy on special effects and music, and even give Spider-Man and his girlfriend more time to talk about love. From this point of view, "Spider-Man 2" is very correct.
Judging from the market response, the film’s box office has successfully settled in almost a percentage, and Sony’s new series is also following the experience of Disney’s "Reunion". The "Reunion" series is so successful that its far-sighted, precise planning, and hierarchical advancement are difficult to fully replicate, but holding on to the Marvel legacy of Spider-Man, Sony also wants to make the series as magnificent and magnificent as possible. Squeeze the value of every drop of it. Since resources are scarce as a positive superhero, the villains will play the leading role in the future. A piece of the three big villains is already a gorgeous configuration, and the Rhino Man even just made a seed for the continuation of the series. The back of Dr. Octopus brings out one possibility after another. The young Spider-Man is destined to be full of twists and turns in the future, but in the end It clears the fetters of the past and is full of hope-after all, single superheroes are more attractive, and teenagers must have been eager to see Spider-Man's new love story-it doesn't matter whether men or women are good.
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