Kieslowski's posthumous script, with tykwer's sky camera and Arvo paert's ethereal music, gave Kieslowski's heaviness the atmosphere and color of the Tuscan loess. The poetry of the natural scenery is comparable to that of Abbas, but unfortunately it is shorter and not fully developed. I don't know if kieslowsky's script is like that. cate Blancett is still very attractive, not all the content on her face, her beauty can only be discovered when she suddenly stands beside the red door at night. Even though it is Italian half-English, the language of the camera is basically coherent, and the parts that you don't understand can be regarded as the mysterious leftovers in the sense of hermeneutics.
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