The story of America and terror is actually a hodgepodge. On the main line of the haunted house, there are various sub-line stories of horror stories buried, and the rhythm is ingeniously grasped. Each episode has a clear main line story with a sub-line story of the chaotic time line in the past, such as The two group of nurses who were brutally killed by a perverted killer who pretended to be injured, gay lovers, although I think the line of gay lovers is almost unnecessary in the later stage, it is obvious that the screenwriter wants to export a complex but exquisite story. Almost everyone arranges the necessity of existence, like the nurse is to draw out the 3-member group of modern revenge society imitating the perverted killer, the gay lover is to draw out the late V knowing that Ted raped her mother, and finally the blood red decoration of the baby room The crib also hints at the ghosts of ghosts marrying humans, although these characters are actually optional, even if they are eliminated, there is not much problem in the story.
However, there will inevitably be loopholes in the clever plot. On the one hand, the plot clearly implies that the ghost cannot leave the house, but when the day is not Halloween, Ted once asked Ben to go out for coffee.
V and Ted teamed up to scare her classmates, but the classmates didn't care, and they became like good friends with V. The transition of the plot was not natural enough, and V easily forgave Ted and became boyfriend and girlfriend.
The maid is a charming young woman in the eyes of men, and an old woman in the eyes of women. This setting is very bright, and it clearly implies many foreshadowings of the plot, but later it is explained that the temptation of the maid is only to make Ben refuse the temptation, see Clear the facts, but why did the maid seduce the man who came to buy the house? And blowjob for him? And she seduced her when it wasn't clear that the man was trying to rebuild the house, and had made it clear to Aunt Kang that she thought a man could give her status or what she wanted? I feel that the plot is obviously not handled well enough.
As for Ted, I just think he's a complete devil, burns his mother's boyfriend to disfigure him, and kills innocent classmates, many people think he's denying those pasts, but I think it's because he really fell in love with him later He wanted to be with V well, so he was afraid that V would know, and he also selectively forgot about these things.
Xiao A gave the plot a certain amount of suspense and horror stories. I was expecting her to write more new plots, but she died too early, and the ghost did not appear in the house after death (I mean Aunt Kang's house) but the ghost of the classmate who was brutally killed by Ted stayed in the school and came out to find Ted on Halloween, so where did Xiao Ah's ghost go?
But I have to deny that the shrewd arrangement of the story can sort everything out so well in such a complicated story line. The arrangement of the finale is actually very bright, but why did V and Vivienne kill Ben when Hayden killed him? Why don't you come and save him? It took so much effort to persuade him to escape from the house in the front, but it didn't appear in the back, which is really puzzling.
In addition, a lot of effort was spent in the front to describe the first owner of the house, Nora and her husband. After Nora appeared, the husband almost didn't appear, except during childbirth. I feel that a lot of effort was spent to describe his psychology. The changes and later stages led to the story of him transforming his dead son. As a result, he and his son were all in a flash in the later stages. Nora worked so hard to get the child, and the final ending just described how she felt after she got it. Tired of not being able to take care of it and letting go of Vivian's family reunion, this ending is a bit weak.
And there is nothing that almost everyone who has stayed in the haunted house has died. Except for real estate agents and psychics who did not stay, they just went in as a guest, and they would not be killed. So why can Connstein be fine? And go in and out of the house at will? Why is the maid afraid of her for no reason? Is it just that I feel sorry for Tannster in my heart? This reason may be a little far-fetched.
However, excluding these small bugs and small details, this story is still very clever, why not give 5 stars just because 1 star deducts these bugs and small details, and 1 star is frightened by the exaggerated plot arrangement.
Beauty is probably the most destructive TV series I've ever seen. The ghost raped the hostess, but hooked up with the hostess' daughter, and was pregnant with 2 children, one was a ghost and the other was a human being, which is too exaggerated Now, Hayden's resurrection and revenge, Ben's struggle, are all jaw-dropping.
It’s all sex from beginning to end. Although sex is also something normal people need, in addition to horror and stories, this drama is mostly sex. , will not be raped by Ted, and will not be pregnant with children.
The arrangement at the end is indeed brilliant. The birth of the ghost child leads to the killing of the nanny in the later period. The side also illustrates the tragedy of Connstein. Ted is a devil as well (but Ted was good in the end and got the punishment he deserved, never being able to be with V) The
ending laid a lot of foreshadowing, and as a result, even the fourth season did not continue the story Any indication, although I also think that the next story is difficult to make up, but I believe that there is nothing that the screenwriter who destroys the three views can't make up.
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